My love for Jam band music is innate within me as a person but for the past few years I have been delving further and further into music from all around the world. These influences and musical contributions to humanity itself are far-reaching and grand in the scheme of things. Music is the language of us all. It is the root of the universe and the rhythm of life itself. American music has influenced people from all over the world but the industry can be very selfish and close-minded. In this editorial, I would like to encourage all of my readers to listen to and engage in new music and especially, music from other countries, you never know what's going to speak to your soul.
While Afro-beat is not new by any means lately, I have been seeing a resurgence of this West African tradition, which takes it influences from Jazz and other Western musical derivatives. Felt Kuti seems to be the originator or at least the most famous of all Afrobeat artists from the 1970s and beyond but there are many new artists doing the same thing that possibly don't get as much recognition. Besides Fela’s son Femi and grandson Seun, who keep this tradition alive, The Antibalas have emerged from Afro-beat, Reggae and Latin music combined. If you want to explore new music and rhythms start The Antibalas, they are one of the most original and danceable bands I have seen in years.
Tinariwen has taken the world by storm this year and if you haven't heard of this band, you have to check them out immediately. This band turns traditional Arabic music on its head and adds hard hitting, rock sounds and musical structures. They recently did their first tour of America with resounding success.
We never seem to talk about Australian music enough and they seem to have taken the psychedelic tradition from the 1960s on to the next level. A few bands come to mind when I think of the new psychedelic Australian musical and cultural movement. King Gizzard and The Lizard Wizard are psychedelic rock meets progressive punk mixed with Celtic rhythms not heard in popular music today. It's really hard to describe King Gizzard and The Lizard Wizard so, it's best just to listen to them. They are the only band to have a completely atonal album and their music videos are completely wild and eccentric. They toured North America this year and sold out almost every performance. I'm sure you will hear more about them soon. The Babe Rainbow is another Australian act that has caught my attention with their groovy, smooth, psychedelic flow. Songs like ‘Planet Junior’ and ‘Secret Enchanted Broccoli Forest” can immediately take you back in time and are great examples of how this band incorporates sitar and ambient sounds.
If you're interested in World Music and International Music, I suggest you check out these bands and see where it takes you. I am also interested in expanding my musical knowledge and if anyone has any other international bands that I should check out, please feel free to drop me an email or comment.
Keep Your Ears And Heart Open,
Back for more, the Afro Nick has returned with two brand new song releases that explore the growth and maturity of The Afro Nick's musical style. For those who aren't familiar with The Afro Nick and his unique and heartfelt song compositions, look no further than my last review here at The Old School Project. The Afro Nick has once again delivered a raw, high powered performance inspired by the classic rock legends like, Jimi Hendrix, Led Zeppelin, Bob Marley and Santana. The Afro Nick oozes and accentuates what it means to be Rock and Roll. Having acquainted myself with his sound and recording process, I have delved into the songs “You” and “Wild Angel” with an open mind and an open hear. I will directly focus on “You”, a song that I found inspiring and powerful.
The recently released single “You” is some of The Afro Nicks best work to date. I can tell that the music is growing and evolving every time I hear his new stuff. The recording itself is very well done and mixed to perfection. Again, Afro Nick reminds me of The Black Angels or something of the like. “You” is hard-rock driven with distorted guitar parts. The chorus is ethereal and harmonious, which juxtapose as well with the excellent guitar solo. Overall, this is my favorite Afro Nick song to date. I am looking forward to checking this release out on vinyl.
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“Wild Angel” is a melodic, heartfelt love song that tells the story of a man fallen from grace. This song is reminiscent of the Rolling Stones “Wild Horses” but not in the name, just a feeling that the song exudes. This song works well with “You” and both songs show a different side of what The Afro Nick brings to the table.
I talked with The Afro Nick about his upcoming releases here for The Old School Project and you can read his words below:
What inspired you to write you and can you tell us a bit about your upcoming releases?
(Afro Nick) A Few years ago, I was roaming around West Village with my girlfriend and I happened upon a small music store on West 4th street. I knew they keep vinyl’s in the basement so, I walked downstairs to take a look. There was a guy there playing a fretless guitar and he sounded really good. So, I turn to see who he is and to my surprise I see, Carlos Santana, and next to him, Cindy Blackman. I immediately ask my girlfriend, “Do you know who this guy is?” and she said “No, It can’t be him.” Just a few minutes later, I’m introducing myself to Carlos Santana saying, “It’s You! Right?”It has become one of my most memorable moments and an inspiration for my song, “You”. When I sat down to write the song, I mixed it up with a love story, but the inspiration and the main idea of the song is about Carlos and his music. “You take me, you ring love in the air, you make me high, all I need and I’ll be fine.”
The song “You” is the A side of 7” Lathe Record that I will release on June 9th. (online on June 8th) The release Show is at Nublu Classic - 62 Ave C, New York. The B side is my song “Wild Angel” that I released a few weeks ago at Rockwood Music Hall. I hope you enjoy listening and come over to Nublu Classic!
Check out this release online here http://www.theafronick.com/store/ https://soundcloud.com/theafronick/you https://goo.gl/Z4eQrW and grab a copy of the Afro Nicks new compositions via vinyl ASAP. Thanks again to Afro Nick for reaching out for a second review and we look forward to hearing from our readers about these songs.
Written by Robert Fadley / USA - Harrisonburg Virginia
Hire mr Fadley to review your band or your new album.
Mr Fadley Has Already Publish...
Up-and-coming Jam-Funk act from Washington DC, Surprise Attack, have recently reached out and we are happy to reveal and announce our Full EP Review, Interview and Artist Spotlight here atwww.jambandpurist.com
Surprise Attacks most recent EP release entitled, 'Water' is an elemental achievement and coincides with their previous releases, 'Earth' and 'Fire.' This album concept is highly original and represents the level of awareness this band has as a collective. Dubbing themselves, "Mountain Funk," their influences range from improvisational, Appalachian-Folk and Funk music, which coagulates to form Surprise Attack.
'Water' begins with “M.D.M.A.” a song that highlights this bands lyrical qualities, and even includes a barbershop quartet style vocal harmony and a great Jam melody. This song expresses creative and unique songwriting structures and transitions. As an opening track, this song is well selected and while most of us think of ecstasy or some other illicit experience, after reflecting, this song has nothing to do with that at all. It's something far beyond the acronym.
Recording 'Water' in their home studio, Surprise Attack, uses what they have to produce a listenable album with a solid sound. While, I would love to hear what these guys could do in a professional studio, 'Water' is a great platform to release musical ideas, expand their repertoire and work on their band style. Danny Durazo, Ian Frye, Jay Rowe, Jeremy Begun and Tom Casey all have a unique blend of musical styles and collaborate as a cohesive unit.
"J.N.S." opens up with a strong Latin rhythm structure and great guitar licks. The vocal melody itself can be heard prevalently and the disco sound is undeniably danceable. This one could be jammed out live and with the right amount of improvisation, this song could be taken to the next level. The feeling that "J.N.S." brings forth is something greater than I think is on this recording and while this recording doesn’t capture all the intricate qualities, it does show the creative talents of this band.
"Down And Out" takes this band on a different route down I-495 using the easy pass to get out of traffic. This song is much more the "mountain" side of their sound and has a country-folk feel. The initial reaction is calm, collective and juxtaposes with the story itself of being down and out without cash in the city. This song is very relatable and at times funny and could be commercially viable if the band decided to use it in that capacity.
"Train Of Thought" is by far my favorite track from this album and comes with a high recommendation. This songs structure itself is very Zappa-esque and takes the progressive development of improvisation jam music to the forefront of this album. "Train Of Thought" caught my attention initially for its transitions, reminiscent of moe. Phish and Zappa all combined but still original. Surprise Attack should work towards making all their songs this quality and level of conceptuality.
Altogether and combined with its counterparts, 'Fire' and 'Earth,' 'Water' EP stands out as a great beginning for any up-and-coming band to promote themselves off of. D.C.’s budding music scene is expanding and many great jam acts are growing within this community. I look for Surprise Attack to attack the scene with the same intensity that they have brought to 'Water.' Check out the EP here:https://surpriseattackdc.bandcamp.com/album/water-ep and follow Surprise Attack on all social media platforms for more. Is ‘Wind’ on the way?
Interview with Surprise Attack
(JBP) What made you form Surprise Attack and start playing music together?
Surprise Attack is actually the band that we formed back in high school. We were together for about a year before moving to different towns, going to college, and more or less, going on a permanent hiatus. We’ve all been close friends for quite some time now and as our musical taste expanded, we were going to shows together, and collectively starting analyzing the music we were listening to on a much deeper level than ever before. After we graduated, we started organizing “jams in the cabin” where we’d rent out a cabin for a weekend, set up a temporary studio, and create improvised music together. It wasn’t long after starting those meet-ups that we realized just how essential music was and is, in all of our lives. We moved back to Northern Virginia, where we grew up and where Surprise Attack was originally formed and have been pushing our development as hard as we can ever since.
(JBP) What are your goals in the music industry?
Our goal is to become full time musicians and to take Surprise Attack wherever in the world we can. Granted how much the music industry has been changing, we do our best to keep up with the technology and methodologies that will enable us to be competitive with the bands that are several years ahead of us. We embrace the free content model in hopes of recreating the taper vibe that surrounded The Dead and other Jam bands. As a band that revolves around the live experience and performing a unique set every night, we put a ton effort into conveying that through our content distribution.
(JBP) Do you guys have any experiences opening up for bigger bands? Or any bands you hope to share the stage with one day?
It was a really cool experience to play with Midnight North. Watching Grahame Lesh (the band’s front man and son of Phil Lesh) on stage with The Terrapin Family Band at Lockn ‘17 after opening up for his project at Jammin' Java in Vienna, VA was beyond surreal. We, and every other jam band, pretty much owe our existence to the Dead, so rubbing elbows with someone who continues the Dead’s tradition of improvisational music just deepened our desire to become a part of that tradition as well.
(JBP) I have also met with Grahame; he is a treasure to this community. Where else do you take influence musically?
All of us have always been fans of older bands, as well as more contemporary music, and take tons of influences from Funk groups, Jazz artists, Rock bands, etc, but our first experiences with the Jam bands The String Cheese Incident, Phish, and The Grateful Dead iterations were extremely eye-opening. It wasn't until seeing these Jam veterans operate live, that we realized the potential for creating an exciting performance that incorporates elements from Funk, Rock, Jazz, Bluegrass, Latin, and Dance music. Eclectic is definitely the word that comes to mind when thinking of Surprise Attack’s taste in music and we owe that to the inspiration we've drawn from the Jam music community.
(JBP) How do you think your sound and band can evolve to become something greater and bring something fresh and original to the music scene?
The biggest focus for our music and Surprise Attack as an entity is to be as genuine and authentic as possible. We love all types of music and feel like we don't ever compromise putting out a sound that is truly us. There is also an element of eccentricity to our sound that is just different; partially because we go for so many styles, which makes it hard to pin us down as an “x” band when in comes to our catalog, but also because we're just a bit odd ourselves. I think our personality really shines through in our music, which could be refreshing in a music scene that can be pretty self-serious.
(JBP) Who is the main songwriter or is it more of a collective musical environment?
We definitely view our original works, as well as covers, as the product of a collective musical environment. A lot of the time, a member will come with a certain number of parts or ideas to a song and we will have brainstorming sessions in which the final project is envisioned. We very much so operate as a democracy and welcome all ideas and criticism towards developing the most cohesive music that we possibly can put out. Refining the songs is always an ongoing process and we use our home studio to take scratch recordings as songs are coming into being and revisit the recordings to make changes on sections as a whole, transitions, and individual parts. If someone has an idea for a certain part of a song, even if we thought it was completed a while ago, we’ll try it out and see if it fits. We're still making refinements to songs we wrote years ago.
(JBP) This album was self-produced, was this recorded in a home studio and if so, can you can you share what programs you used or experiences you had recording?
This album was indeed recorded in our home studio! For our most recent EP, Water, we used Logic on our Mac Mini after transitioning away from Ableton Live. Developing our home studio has been an adventure and a half with moving in to our first band house, acoustically treating our main room, and constantly upgrading our set up. Over the past 2 years we’ve continuously invested every bit of money we’ve made into upgrading to new, better technology and methodologies that enable us to share solid self-produced studio and live recordings with the musical community for free. The recording experience has always been extremely fulfilling for us too because we get the opportunity to come back to material we’ve been performing live and really put the polishing touches on the songs to make them whole. We are all about the live environment, but recording allows us to take things we normally experience from one perspective and dissect it from a million different ones. Then we use those new perspectives to form a new and better version of the song that we can play live.
(JBP) Have you had any wild band experiences yet?
One time, when we were supposed to play an afternoon gig for a Brewery’s anniversary party we had an extremely unfortunate series of technical difficulties. We had our PA and the stage entirely set up and were preparing for sound check when our bass player realized his electric bass wasn’t producing any sound at all. We tested a bunch of different cables and inputs devices to see if we could get any signal, but alas nothing. Fortunately our drummer lived nearby and was able to quickly grab his old beat up bass. Mind you this was like a first instrument you’ve ever had kind of bass and we were extremely unsure how it was going to sound but were VERY desperate. We plugged it in and the darn thing wasn’t producing any sound either! In a frenzy, our guitar player and bass player ran to the nearest music store to buy a bass and we were able to get our set moving just after the anticipated start time. We ended up having a great time and overcoming the stress, but we still joke about all the completely unexpected technical challenges that can kick you in the butt like having 2 basses fail on you in one day!
Thanks to Surprise Attack for taking the time to reach out and letting us interview them! If you are interested in having your album reviewed by www.jambandpurist.com contact us and we will work out an option that suites your bands needs. Who else do you want to see on JBP? Let us know.
Jam Band Purist
Editor and Chief: Robert RA Fadley
Words by Jam Band Purist
Carey Frank, interim keyboardist for Tedeschi Trucks Band and other various projects has released his album, Something To Remember Him By. From Tedeschi Trucks Band to playing at Disney, Carey is a rising talent not only in the jam band world but the music business, as a whole.
I had no idea what to expect when I put on Something To Remember Him By and was surprised to hear jazz standards and exceptionally skilled keyboard and guitar work. With guitarist Bruce Forman, Carey lays down, not only the melody but also the bass lines on his Hammond Organ. I had to think twice when I heard it at first to make sure that there wasn’t a bassist sitting in.
Carey and Bruce work seamlessly together as a symbiotic team. Carey, much like an octopus behind the keys, leads the way while Bruce, sprinkles a mix of jazz and rock themes with exceptional phrasing. This album is extremely listenable and expresses the eclectic style that Carey produces. We had a chance to sit down with Carey and talk about improvisation, studio vs. live performance, and various other experiences in the interview below.
Jam Band Purist-What have been some of your most thrilling experiences working as a musician?
Carey Frank-Of course my work with Tedeschi Trucks Band has been one of the most thrilling experiences. I’ve been listening to Derek Trucks for years. One of the first albums I stole from my mom’s collection was actually a Derek Trucks Band album. Also getting to hang a lot with Dr. Lonnie Smith is pretty thrilling. Living in LA, I’m always running into musical idols. And before I moved to LA, I lived in Orlando, FL and worked at Walt Disney World theme parks and that was its own thrilling experience. I’m a huge Disney nut so I was in heaven.
JBP-In your personal music style, do you use a lot of improvisation?
CF-Totally! If I really need to, I can play specific parts the exact same way every time, like I did when I worked at Walt Disney World and the few other pop gigs I’ve done, but it’s really hard for me to play the same thing twice. Even a familiar song/melody is played a bit different and improvised every time. It’s like telling a story to someone…you never say it the same way. Even if you say the exact same words and sentences, you may phrase it differently, emphasize different words, use different dynamics…I love working off the audience. That always really influences the way I improvise from night to night.
JBP-What’s it like working with some of the jam band world’s biggest acts? (TTB-Hot Tuna)
CF-Once you get over the star struck feeling, it’s like playing with any other great band. It’s so fun to play in bands that allow each member to do their own thing and take musical chances. And I really love the audiences! There is so much positive energy and all they want to do is hear good music and feel good energy which really makes any musician play his or her best.
JBP-I can tell from your album ‘Something To Remember Him By’ that you are influenced by jazz, but what other music has inspired you in your career?
CF-I grew up listening to jazz, of course, but also have always loved rock, movie soundtracks, classical music…I specifically listened to a lot of Billy Joel, Beatles, Disney movie soundtracks, John Williams, Queen, John Mayer, Debussy…
JBP-The album is just you and Bruce Forman on guitar, but it feels like there is a lot more going on. Did you play the bass lines and melody?
CF-I played bass using the Hammond organ. It’s a mix of using foot pedals and my left hand. That’s the great thing about that instrument. It can be so soft and subtle and fill in those nice spaces or it can be the big powerhouse showoff instrument taking the place of a full 12-piece horn section in addition to taking over the bassist’s spot. One of the many goals of this album was to fool the listener into forgetting there was no drummer or bassist.
JBP-Do you prefer studio work vs. live performances? How has each furthered your career as a musician?
CF-I’d love to do more studio work. Both are really different mindsets and I love both but, right now, the majority of my work is playing live which means a lot of late nights and hauling a lot of heavy organs and keyboards and amps all over town. A big thing that helped my career was when I started bringing a GoPro to a handful of my gigs and posting my solos on social media. That’s how I’ve become more well known and how I’ve gotten some bigger gigs.
JBP-Any recent projects that you would like to promote besides the album? What’s next?
CF-My band, Strangers On a Saturday Night, has a new album coming out on February 14th and we’re doing a show that night at The Blue Whale in Downtown LA. It’s an organ trio featuring me, Will Brahm and Jamey Tate, and vocalist Jane Monheit sang on a few tracks. Another organ trio I’m in, The White Blinds, just got signed to F Spot Records and we will be in the studio next month and releasing our album over the summer. I’m part of many different groups around town and always posting about where I’m playing and any new music I’m releasing on my Website and Facebook!
JBP-Is there a story behind the album’s title?
CF-As you know, the album is dedicated to my grandfather and singer, Don Cornell. Bruce played his 1938 Gibson L5 on the album and all of the tracks (except for one original composition I dedicated to my grandmother Iris) were songs my grandfather used to sing and record regularly. Don had an album entitled “Something To Remember Me By” so I thought it best to title mine “Something To Remember Him By.”
JBP-Being on the road, I’m sure you have seen some pretty wild stuff; any crazy experiences you’ve been dying to share?
CF-Honestly, I haven’t seen many crazy things on the road. It’s not usually what it’s like in the movies. There were a few times when I lived in Orlando that I played at a nudist colony, which was pretty crazy and what you might expect. Also, one time I was touring with Lucy Woodward and we had a night off so the band went to see a movie. At some point during the movie, I put my popcorn on the empty seat next to me then, 10 minutes later, the guy sitting on the next seat over started eating my popcorn. Lucy and I couldn’t stop laughing during the rest of the movie. Other than that, the crazy experiences are getting to perform with some of my longtime idols.