I met Uiara Leigo at a conference for indie musicians in São Paulo. We exchanged CDs and she explained me in her deep, calm voice that she had worked for a long time as a nurse. Later, while listening to her album, it all made sense: Uiara takes care of people and their needs. Traditional African rhythms are the starting point for a musical journey filled with lyrics about racism, homo and transphobia among other delicate subjects, without sounding preachy. Beautifully human, with a scent of magic.

(GF) Can you tell us about your first contact with music?

I guess it all started in my mother´s womb, when I first listened to the sounds of the percussion. My father used to play during religions ceremonies held by my grandmother. She was what we call “mãe de santo” [a priest woman in African religions] and my father, an amateur musician and composer, was my first contact to music. I guess my heartbeat was defined by that drums. I always wanted to be a singer and my great influences were The Beatles, U2, Brazilian rockers such as Renato Russo, Cazuza and Cássia Eller and the MPB (Brazilian popular m usic) tradition: Caetano Veloso and Maria Bethânia. As a child, I took part in a religious choir and when I was 13, I learned to play the guitar with my brother, a musical therapist and teacher, but apart from that, I never had any musical training. Instead, I went to the Nursing College in Juiz de Fora, Minas Gerais (I am originally from a small town in Rio de Janeiro called Macaé).

(GF) And when was your “come back” to the music?

Only after graduation. By then, I´ve decided to make my dream come true. I began singing in bars. I was also part of a rock band, but in 2010 I decided to launch my solo career with an album called “Pedra Bruta” (“Rough Stone”). Six years later, I released “Meu Canto é Segredo” (“My Song is Secret”).

(GF) How would you define your music?

I propose a universe of creation with no rules or labels. This concept guided my last project, giving me the freedom to mix the influences of important Brazilian movements, such as Tropicalism, with my childhood references, the sounds of the candomblé drums. Together with my musical producer Hérmanes Abreu, we created a very special sound for the project, reaffirming our African-Brazilian musical heritage. The promotional single “Basta” (“Enough”) is a call for reflection upon all sorts of intolerance.


Since you've come so far ...

.... we would like to inform you about The Old School Project's operation. Over time, the number of people interested in The Old School Project has steadily increased. Unlike other websites and online media, the core of The Old School Project is not the well-known journalists and radio producers, but the young people in the field of journalism who nevertheless worthy of their place. Therefore, the resources for running The Old School Project, which requires time, money and hard work, come only from its physical place, the coffeehouse.

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(GF) What´s next?

I am recording a new project called “Somos feitos do agora” ("We're made of now"). It is inspired by reflections on time and happiness, conflicts, hope, solitude and love. I wrote all five tracks and the arrangements bring a mix of Rock´n´Roll, Blues and Progressive. I stick with the primordial characteristic in my career: the freedom of creation!

Written by Geisa Fernandes - Brasil / Rio de Janeiro

The repertoire of this jazz singer and awarded songwriter from Rio de Janeiro reveals influences of Brazilian popular music, the French chanson and Latin American rhythms, but most of all, Geisa Fernandes is a jazz singer. Billie Holiday aficionada (back in college folks used to call her "Lady Doc"), this PhD holder and Comics researcher was a former vocalist of several bands in São Paulo. 

Hire Geisa to review your band or your new album.

For more info feel free to Contact Us

Geisa Has Already Published...

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Published in South America Section
Monday, 02 April 2018 00:00

Vote Challenge: The Winners!

Αnother vote came to the end boys and girls ...

The winners are:

First Place

Alone Together: 346 Votes

Full Band Bio and Air Play Coming Soon

 


Since you've come so far ...

.... we would like to inform you about The Old School Project's operation. Over time, the number of people interested in The Old School Project has steadily increased. Unlike other websites and online media, the core of The Old School Project is not the well-known journalists and radio producers, but the young people in the field of journalism who nevertheless worthy of their place. Therefore, the resources for running The Old School Project, which requires time, money and hard work, come only from its physical place, the coffeehouse.

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Second Place

QOK Music: 331 Votes

Full Band Bio and Air Play Coming Soon

We sincerely thank those who took part in the campaign but also in the Vote Challenge supporting these young artists and trusting The Old School Project.

Stay Close Support and Enjoy!

The Old School Project – Representing A Generation -

 

Mark Stone and The Dirty Country Band- For Stories EP Review

 

Mark Stone & the Dirty Country Band , from Minnesota, formed in 2012 as a solo project for Mark Stone himself. Since then, Stone (Guitar/Vocals) has acquired the musical talents of Todd Jameson (Bass), Johnny Strutt (Drums) to form The Dirty Country Band.

They are influenced by Southern Rock and Country, which is prevalent in the song structures and writing. However on their latest release “ For Stories” takes a different direction. The main focus is on good ol’ country rock with hard rock riffs and powerful beats. This EP sees the group coming into their own as a close knit outfit that is evident on here. The chemistry between the music is apparent from the beginning that these are men love their craft!

On first track Until Someone Remember my name is a nice country song that is relatable to a contingency of folk who want to pack in their jobs to play music. The overall structure of the track is a feelgood one steeped with elements of heavy guitar lines that are reminiscent of 70’s southern rock. And a strong, swinging rhythm that supplements Stone’s reflective lyrics.

When love goes to war is an acoustic track that is suitable for a long drive home along the highway. Stone shows his versatility with the guitar and on vocals that express raw emotion that will touch any heartstring in this song about falling out with a loved one. It is these samples of the ability to produce natural forms of motions through music that makes Stone a good songwriter.

The things that impress me the most about Mark Stone and The Dirty Country Band is the musical textures that plays off each other . Strutt’s drumming remains consistent throughout, acting like a metronome that dictates the rhythm. Furthermore, The intelligent lyrics that retain strong storytelling throughout.

Faster than they fall is a combination of Dirty Country ( Excuse the pun!) and Boogie Rock. The riff is a loud and simple juggernaut of a tune that will keep your feet swaying. The strong beats reflect Skynyrd in there pomp with driving rhythm section is like a train pounding the tracks at high speed. This is my favourite standout track that could easily be a breakthrough in the commercial rock charts with fans of 70s and 80’s southern rock .

 

And finally, before you are gone is a country/gospel track that is a nod to religious faith that introduces an organ section that adds depth to the melody vocal lines that make this a beautiful end to an accomplished outing for the dirty country band.

The eP is now available for pre- oreder on Itunes.https://itunes.apple.com/gb/album/for-stories-ep/1343653581

You can catch the band on April 5th with the 2 dudes w/ acoustic guitars @ Neumann’s bar in St Paul, Minn

You can also gain further access to the band’s catalogue, tours, news and merchandise via

http://www.markstonemn.com

https://www.facebook.com/markstonemn

https://twitter.com/mst0ne

https://www.youtube.com/c/MarkStoneandtheDirtyCountryBand

Published in Europe Section

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.... we would like to inform you about The Old School Project's operation. Over time, the number of people interested in The Old School Project has steadily increased. Unlike other websites and online media, the core of The Old School Project is not the well-known journalists and radio producers, but the young people in the field of journalism who nevertheless worthy of their place. Therefore, the resources for running The Old School Project, which requires time, money and hard work, come only from its physical place, the coffeehouse.

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What We Have Published So Far

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Up-and-coming Jam-Funk act from Washington DC, Surprise Attack, have recently reached out and we are happy to reveal and announce our Full EP Review, Interview and Artist Spotlight here atwww.jambandpurist.com 
 
Surprise Attacks most recent EP release entitled, 'Water' is an elemental achievement and coincides with their previous releases, 'Earth' and 'Fire.' This album concept is highly original and represents the level of awareness this band has as a collective. Dubbing themselves, "Mountain Funk," their influences range from improvisational, Appalachian-Folk and Funk music, which coagulates to form Surprise Attack.
 
'Water' begins with “M.D.M.A.” a song that highlights this bands lyrical qualities, and even includes a barbershop quartet style vocal harmony and a great Jam melody. This song expresses creative and unique songwriting structures and transitions. As an opening track, this song is well selected and while most of us think of ecstasy or some other illicit experience, after reflecting, this song has nothing to do with that at all. It's something far beyond the acronym.  
 
Recording 'Water' in their home studio, Surprise Attack, uses what they have to produce a listenable album with a solid sound. While, I would love to hear what these guys could do in a professional studio, 'Water' is a great platform to release musical ideas, expand their repertoire and work on their band style. Danny Durazo, Ian Frye, Jay Rowe, Jeremy Begun and Tom Casey all have a unique blend of musical styles and collaborate as a cohesive unit.
 
"J.N.S." opens up with a strong Latin rhythm structure and great guitar licks. The vocal melody itself can be heard prevalently and the disco sound is undeniably danceable. This one could be jammed out live and with the right amount of improvisation, this song could be taken to the next level. The feeling that "J.N.S." brings forth is something greater than I think is on this recording and while this recording doesn’t capture all the intricate qualities, it does show the creative talents of this band.
 
"Down And Out" takes this band on a different route down I-495 using the easy pass to get out of traffic. This song is much more the "mountain" side of their sound and has a country-folk feel. The initial reaction is calm, collective and juxtaposes with the story itself of being down and out without cash in the city. This song is very relatable and at times funny and could be commercially viable if the band decided to use it in that capacity.
 
"Train Of Thought" is by far my favorite track from this album and comes with a high recommendation. This songs structure itself is very Zappa-esque and takes the progressive development of improvisation jam music to the forefront of this album. "Train Of Thought" caught my attention initially for its transitions, reminiscent of moe. Phish and Zappa all combined but still original. Surprise Attack should work towards making all their songs this quality and level of conceptuality.
 
Altogether and combined with its counterparts, 'Fire' and 'Earth,' 'Water' EP stands out as a great beginning for any up-and-coming band to promote themselves off of. D.C.’s budding music scene is expanding and many great jam acts are growing within this community. I look for Surprise Attack to attack the scene with the same intensity that they have brought to 'Water.' Check out the EP here:https://surpriseattackdc.bandcamp.com/album/water-ep and follow Surprise Attack on all social media platforms for more. Is ‘Wind’ on the way?
 
 
 
Interview with Surprise Attack
 
(JBP) What made you form Surprise Attack and start playing music together? 
 
Surprise Attack is actually the band that we formed back in high school. We were together for about a year before moving to different towns, going to college, and more or less, going on a permanent hiatus. We’ve all been close friends for quite some time now and as our musical taste expanded, we were going to shows together, and collectively starting analyzing the music we were listening to on a much deeper level than ever before. After we graduated, we started organizing “jams in the cabin” where we’d rent out a cabin for a weekend, set up a temporary studio, and create improvised music together. It wasn’t long after starting those meet-ups that we realized just how essential music was and is, in all of our lives. We moved back to Northern Virginia, where we grew up and where Surprise Attack was originally formed and have been pushing our development as hard as we can ever since.
 
(JBP) What are your goals in the music industry?
 
Our goal is to become full time musicians and to take Surprise Attack wherever in the world we can. Granted how much the music industry has been changing, we do our best to keep up with the technology and methodologies that will enable us to be competitive with the bands that are several years ahead of us. We embrace the free content model in hopes of recreating the taper vibe that surrounded The Dead and other Jam bands. As a band that revolves around the live experience and performing a unique set every night, we put a ton effort into conveying that through our content distribution.
 
(JBP) Do you guys have any experiences opening up for bigger bands? Or any bands you hope to share the stage with one day? 
 
It was a really cool experience to play with Midnight North. Watching Grahame Lesh (the band’s front man and son of Phil Lesh) on stage with The Terrapin Family Band at Lockn ‘17 after opening up for his project at Jammin' Java in Vienna, VA was beyond surreal. We, and every other jam band, pretty much owe our existence to the Dead, so rubbing elbows with someone who continues the Dead’s tradition of improvisational music just deepened our desire to become a part of that tradition as well.
 
(JBP) I have also met with Grahame; he is a treasure to this community. Where else do you take influence musically?
 
All of us have always been fans of older bands, as well as more contemporary music, and take tons of influences from Funk groups, Jazz artists, Rock bands, etc, but our first experiences with the Jam bands The String Cheese Incident, Phish, and The Grateful Dead iterations were extremely eye-opening. It wasn't until seeing these Jam veterans operate live, that we realized the potential for creating an exciting performance that incorporates elements from Funk, Rock, Jazz, Bluegrass, Latin, and Dance music. Eclectic is definitely the word that comes to mind when thinking of Surprise Attack’s taste in music and we owe that to the inspiration we've drawn from the Jam music community.
 
(JBP) How do you think your sound and band can evolve to become something greater and bring something fresh and original to the music scene?
 
The biggest focus for our music and Surprise Attack as an entity is to be as genuine and authentic as possible. We love all types of music and feel like we don't ever compromise putting out a sound that is truly us. There is also an element of eccentricity to our sound that is just different; partially because we go for so many styles, which makes it hard to pin us down as an “x” band when in comes to our catalog, but also because we're just a bit odd ourselves. I think our personality really shines through in our music, which could be refreshing in a music scene that can be pretty self-serious.
 
(JBP) Who is the main songwriter or is it more of a collective musical environment?
 
We definitely view our original works, as well as covers, as the product of a collective musical environment. A lot of the time, a member will come with a certain number of parts or ideas to a song and we will have brainstorming sessions in which the final project is envisioned. We very much so operate as a democracy and welcome all ideas and criticism towards developing the most cohesive music that we possibly can put out. Refining the songs is always an ongoing process and we use our home studio to take scratch recordings as songs are coming into being and revisit the recordings to make changes on sections as a whole, transitions, and individual parts. If someone has an idea for a certain part of a song, even if we thought it was completed a while ago, we’ll try it out and see if it fits.  We're still making refinements to songs we wrote years ago.
 
(JBP) This album was self-produced, was this recorded in a home studio and if so, can you can you share what programs you used or experiences you had recording?
 
This album was indeed recorded in our home studio! For our most recent EP, Water, we used Logic on our Mac Mini after transitioning away from Ableton Live. Developing our home studio has been an adventure and a half with moving in to our first band house, acoustically treating our main room, and constantly upgrading our set up. Over the past 2 years we’ve continuously invested every bit of money we’ve made into upgrading to new, better technology and methodologies that enable us to share solid self-produced studio and live recordings with the musical community for free. The recording experience has always been extremely fulfilling for us too because we get the opportunity to come back to material we’ve been performing live and really put the polishing touches on the songs to make them whole. We are all about the live environment, but recording allows us to take things we normally experience from one perspective and dissect it from a million different ones. Then we use those new perspectives to form a new and better version of the song that we can play live.
 
(JBP) Have you had any wild band experiences yet? 
 
One time, when we were supposed to play an afternoon gig for a Brewery’s anniversary party we had an extremely unfortunate series of technical difficulties. We had our PA and the stage entirely set up and were preparing for sound check when our bass player realized his electric bass wasn’t producing any sound at all. We tested a bunch of different cables and inputs devices to see if we could get any signal, but alas nothing. Fortunately our drummer lived nearby and was able to quickly grab his old beat up bass. Mind you this was like a first instrument you’ve ever had kind of bass and we were extremely unsure how it was going to sound but were VERY desperate. We plugged it in and the darn thing wasn’t producing any sound either! In a frenzy, our guitar player and bass player ran to the nearest music store to buy a bass and we were able to get our set moving just after the anticipated start time. We ended up having a great time and overcoming the stress, but we still joke about all the completely unexpected technical challenges that can kick you in the butt like having 2 basses fail on you in one day!
 
Thanks to Surprise Attack for taking the time to reach out and letting us interview them! If you are interested in having your album reviewed by www.jambandpurist.com contact us and we will work out an option that suites your bands needs. Who else do you want to see on JBP? Let us know.

Jam Band Purist

Editor and Chief: Robert RA Fadley

Published in USA Section
Tuesday, 22 May 2018 00:00

The Spins - Colours EP Review

The Spins are an Italian Pop Rock band based in Roquebrune- Cap- Martin ,France formed by renowned female drummer Alessia Mattalia - noted for her session work with Jeff Beck and featuring on His Grammy - Award winning track “ Hammerhead”- and keyboardist and composer Marcello Giordano. The band have members from Italy, France, Estonia and England with an accomplished background in music. Bassist Mai Agan , Guitarist Ludovic Briand. And English vocalist Amy- Danielle Weston complete the line-up .

Opener Hole In The Ground is an upbeat track filled with tantalising grooves that starts with the crunching echoes of the steady rhythm of drums that leads to a funky beat before the innocuous female vocals hypnotise the listener as much as the dizzying keyboards and thick bass line that culminates in the bright guitar chords that are reminiscent of some of those early 2000’s indie bands. I feel this is good song to start the album off.

Title track Colours is a feelgood pop track with melodic male lead vocals. The song is a European tinged affair with swirling keyboards and the recognisable drumsticks that reverberate with thunderous applause, which signals the emergence of heavy power chords to produce a beautifully composed track with a string quartet and piano .The hooks and harmonious backing vocals would make this an accessible track for mainland European fans .It reminds me of a more joyous Beatles single.

 

I Wish You enters Eurovison territory with an energetic burst of electro pop. The intro blends a clean tone of dirty synth and huge guitar breaks that combine with plush harmonic vocals to the backbeats of crunching reverb -soaked guitar and drums that produce a hollow and aggressive overtones. This song would not feel out of place during the annual celebration of Europe’s’ favourite musical competition.

Inertia is a similar track dripping with a warm tone that leaves the listener feeling fuzzy inside. The impressive rhythm section really stands out here with almost hypnotic beats and tentative groove that leaves your head spinning. The vocal lines provide a tender timber to the programming qualities that leads me to believe it is accessible to a European market that likes upbeat pop music with an edge. The low tuned bass plods along to the overall feeling of a fun jam session.

And finally, Never Let It Go ends with a different direction. This song writing to Queen. You can see where the band get their influences. This is a stripped back acoustic track with a swinging rhythm section and syncopated beats includes a string arrangement and electric guitar lines that emphasise the shiny qualities of the bridges and chorus that produce a real feelgood sound that can only lead to places for the band.


Since you've come so far ...

.... we would like to inform you about The Old School Project's operation. Over time, the number of people interested in The Old School Project has steadily increased. Unlike other websites and online media, the core of The Old School Project is not the well-known journalists and radio producers, but the young people in the field of journalism who nevertheless worthy of their place. Therefore, the resources for running The Old School Project, which requires time, money and hard work, come only from its physical place, the coffeehouse.

So to continue to provide our services to upcoming bands / artists, giving the opportunity to new journalists publish their articles, and to develop our innovative ideas, we ask you to devote a minute of your time and become a part of The Old School Project.


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The Spins will be performing this Wednesday May 23rd at Sunnyvale, NY

You can also find more information on the band via

http://www.thespins.org/index.php/en/

Or you can follow them via

Facebook & Twitter

Written by Anselm Anderson - UK / Lancaster

My name is Anselm and I have a strong passion for music. I host two rock radio shows for the internet on a weekly basis. Also, I have experience in the past year of writing music reviews and conducting interviews with upcoming artists for several online music magazines. My main goal is to continue to write for thse interested in learning about what is new in the musical world.

Hire mr Anderson to review your band or your new album.

For more info feel free to Contact Us

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Published in Europe Section
Monday, 26 March 2018 00:00

Quick Review: I Am Fire Paris

How the Fire started

There were 2 specific events that led up to the creation of I Am Fire! First, the death of Lemmy Kilmister (December 28th 2015), the legendary leader of the mythical hard rock group Motörhead. No more Motöthead, what?!. Second, the January 2nd 2017 “Rock Or Bust” AC/DC concert in Paris at the Stade de France. I was working late that night. As I was heading home on the subway after my shit, I was surprised (and delighted) to discover that the train was packed with AC/DC fans! Hundreds of people, of every generation wearing the band’s T-shirts and Angus Young’s flashing red plastic horns on top of their head ( I am a big AC/DC fan). I tough to myself “ Waow! These great old bands, that everyone still loves (me included), are slowly fading out of the picture and there isn’t really anyone to take over after them (Brian Johnson forced to retire for health reasons and who knows what’s happening with the guys from Motley Crüe and how long Guns’n’Roses is going to last?)! That night in Paris, on the subway heading for the suburbs, I came up with the very basic concept of I Am Fire: a modern outfit (with a double drum kick and a stronger metal sound), which sound would be influenced by all the great "classic" hard rock acts and which, like them, would aim to be a "larger than life" band. In fact, I Am Fire would like to bring "rock" and the Rock Star Concept back!

Jeff

PS: I actually met Lemmy in Paris a few years ago. When I was in LA, I also met Robert Plant, Ray Manzarek, Mick Mars, Steve Harris, Rob Trujillo, Chester Bennington, etc… But that’s another story…

No, rock is not dead!!

“ROCK” IS BACK!!

“Paris is no longer the city of Love, it is now the city of Rock!” – Jeff Rocker

Did someone pull the fire alarm??. Coz we are new Paris based rock outfit I Am Fire! Our sound is influenced by all the great "classic" hard rock bands (AC/DC, Motörhead, Motley Crüe, etc...) as they are slowly disappearing... Like them, we aim to be a "larger than life" band. In fact, we'd like to bring "rock" and the rock star concept back! And, to put it bluntly, we need you to help us make I Am Fire the biggest rock act in the world!

Our 1rst single, "Die Bitch!" appears on the Dooweet Agency sampler, "Heavy Christmas", that distributed 10 000 copies. “I Am Fire” has also been included on the playlists of several internet radio (WTYT 960 USA, Q 108 Kingston, Banks Radio Australia, etc...) and in the pages of several online music magazines (Uncivil Revolt USA, White Noise Magazine etc…).

We are currently working on our next title as, our marketing creed, so far, is not to put out full albums (who ever listen to a whole album anymore?) but to release several singles every year.

I Am Fire Paris is: singer/songwriter/guitarist Jeff Rocker (Spun Smith – Henhouse Studios Records, Radio Mars - ii Music, Los Angeles, California) and french producer Seb Bonnet. (Temple Of Silence, Zuul-fx, Ego Miss Blinded, etc…) Social Media: @iamfirelive

Saturday, 13 October 2018 09:56

These Bands Provide Music For All Tastes

Brother Bicker Band

 

Brother Bicker band are a five-piece Roots Rock Act from Canada incorporate country, folk, soul and reggae with uplifting harmonies and melodic vocals that are bound to leave those hips swaying.

The band features; Bash Raines (Drums)

, Jim Duncan (Bass),

Jeremy Hrdlicka (Vocals, Acoustic Guitar),

Tom Morgan (Vocals, Guitar),

Ben Ellard (Keys, Vocals)

http://www.brotherbicker.com/#about This is a nice site with a concise biography, Music List of the latest EP, Latest Music videos and some great pictures of the band performing. This is an easy to access web page for interested new fans.

https://www.facebook.com/BrotherBicker/ This is a more introspective look inside the band’s world with updates, videos of the band in rehearsal and performing, plus colourful pictures of the group together.

Autopilot

Autopilot are an alternative rock act from Saaskatoon Canada. The 3-piece write progressive rock with huge pop choruses and hints of shoegazing. They have released 3 LP’s and one EP, earning praise by notable musical publications for their relentless tour schedules, including USA and Canada. The band have gained success on commercial radio, Major US Network and supporting metal band P.O.D .

The band will release new album “Afterglow” on October 19th.

http://www.autopilottheband.com/ This is another accessible site for any new fans. There is a detailed biography on the band, plus a backstory to their music. Also, there is a link to the band’s latest single “Weightless”. However, there are no photos or videos for any listeners to engage with.

https://www.facebook.com/autopilotmusic/ This is a far better account for old, and fans anew. There are gig updates, information about the band’s album launch, plus more videos of the band in the studio, as well as some photos of the band.

 


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Unlocking the Truth

Unlocking the Truth are a heavy metal from New York, who amaze with crunching guitars, soulful vocals and introspective lyrics with some tasty hip hop beats that adds to the intensity of musicianship that will keep plenty satisfied. They first formed as 11-year old's, and have gone on to perform at major festivals like Coachella, as well as open up for prestigious Metaillers'’ like Metallica, Guns N Roses and Marilyn Manson. They have also released their very own Netflix documentary called “Breaking A Monster”. The band’s mantra is "Our goal is still to become one of the worlds' best bands and to inspire people with our music to do what they love - no matter what.". We will have to wait and see.

Unlocking the Truth’s latest album “Chaos” is out now.

The band consists of Malcolm Brickhouse (Vocals, Guitars),

Bassist Alec Atkins

Drummer Jarad Dawkins.

http://unlockingthetruthband.com/ This is a great site for new fans. The format is centered on strong graphics, with a link to new single “My Chains”, alongside links to the band’s back catalogue on several platforms, music videos, and a fan wall.

https://www.facebook.com/UTTBand/ This is another well-presented account by the band. I felt this was more personal, and really engages the fans. There are updates, photos and plenty of music videos, plus a shop too.

 

Emerging Tiara

Emerging Tiara is AKA Juri is an eccentric mixture of J- pop/ / jazz, & rockabilly from Tokyo, Japan. Juri is the classically trained lead singer of the self-proclaimed ET Kingdom, who graduated from Berklee College. She developed her voice from an early age with performances alongside stars, including Japanese Classical musician Ken Nishikori.

New single “ Here I Come” is out now

http://emergencytiaramusic.com/ This site instantly grabs you with its sheer design. The nice colour coordination reflects the personality of Juri. I feel this leaves the listener feeling at ease to browse through her page that includes music, a vibrant bio, and a concert schedule. The only downside is the lack of photos.

https://www.facebook.com/EmergencyTiara/ This is another vibrant insight into the musician with a more intimate feel to this one. Fans are made to feel like they can interact with the artist with fun videos, photos, and updates.

 

Lauren Marsh

Lauren Marsh is a pop singer / songwriter from New Jersey, who will delight you with her heartfelt lyrics and powerful vocals that produce wonderful piano driven tunes. Marsh honed her craft singing in Coffee Shops, which culminated with an opening slot for “American Pie” Singer Don Mclean. Marsh’s breakthrough hit “Dear Love” has amassed over 5 million views on Spotify, as well as feature on NCIS: New Orlean TV programme.

Marsh's new EP “Revival” is out this fall.

https://www.laurenmarsh.com/ This is a fantastic site for any new, or old fans. The professional design allows the reader to maneuver between an array of photo’s, videos (YouTube Link), latest news stories, which include magazine articles on Marsh. Visitors can also find an expansive bio on Marsh’s life, as well as an online shop.

https://www.facebook.com/LaurenMarshMusic/ This is an engaging account for the fans with regular updates, photos’, and some insightful videos of Marsh, as well as some performances.

 


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Written by Anselm Anderson - UK / Lancaster

My name is Anselm and I have a strong passion for music. I host two rock radio shows for the internet on a weekly basis. Also, I have experience in the past year of writing music reviews and conducting interviews with upcoming artists for several online music magazines. My main goal is to continue to write for thse interested in learning about what is new in the musical world.

Hire mr Anderson to review your band or your new album.

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Monday, 20 August 2018 15:40

Skinners Lane Review / Interview

At first listen to Skinner’s Lane, you are hit with the heavy rock inspired sound, that one would often associate with the likes of Led Zeppelin and Black Sabbath, or the rock movement of the 70s… but don't be fooled, there is more to this band than the heavy guitar riffs and Ian Curtis like crooning. There is a certain profoundness to the lyrics and the carefully constructed melody that keeps you hooked to the sound.

To My Face is a raw and emotional song. The fast paced and reminiscent punk rock vibe combined with Zak Langfords raw and untamed vocals provide for a wild listening experience. The layered instruments create an even harsher sound while the contemporary lyrics expose the true nature of human beings and how society has taught us to judge or be judged. The chorus says “say it to my face” which many people don't do as they are afraid. Towards the end of the song, a guitar solo replaces the voice to create a melodic instrumental and it creates a new layer on the song all together. The solo was a needed aspect of the song, and Skinner’s Lane did not disappoint. Drummer James Kerr keeps the song moving forwards in an intoxicating manner.

All of you I'm sure, have been on a wild night out, in a foreign place where you don't know many people. Dear Brighton talks about the emotions behind putting yourself out there in a new place.

The opening riff is one that you can get caught in the trap of humming for days, but not entirely minding about. The lead singer Zak shows us a softer side to his personality and vocals with the soft and mellifluous sound. The song itself represents a night out. It starts of at a slower pace to match that as the preparation to go out. Throughout the song it gets faster to show the night out, but towards the end it slows down and this represents the coming down after the high. The bridge creates a needed pause and adds a layer of sophistication to the song. The carefully constructed bass line by Rob Holland keeps the listener spellbind and seduced.

The two songs, although melodically similar, are in two different ballparks. Dear Brighton to me comes form a more self conscious Musician then that of the writer of to my face, even though they are written by the same person. The difference in the themes for the songs shows an acceptance for who the band is and who they used to be, which for the audience is a wonderful thing to hear. Music is an art and at the end of the day not everyone is going to like it. To really make it as a Musician you have to believe in yourselves, which is what Skinner’s Lane has managed to achieve.

Overall, the band Skinner’s Lane is on the rise and is one to watch out for. If you are feeling Low, pop on Dear Brighton and you will be alright in no time. If you feel defiant then the anthem for you is to my face. I'm looking forward towards the bright future that is and always will be Skinner’s Lane.

 

Skinner’s Lane Interview

 

1. How do you know The Old School Project?

I found out about Old School Project through a friend of mine, Jacob Solarek, whose band, ‘The Cubes,’ got a really awesome EP review. I ended up looking at the site and loved the ethos regarding supporting and reporting about creative projects going on all across the world.

2. Who are your influences when writing music?

Black Keys, Franz Ferdinand, Royal Blood, Arctic Monkeys, Jack White are probably my biggest influences when it comes to writing much of the Skinner's Lane songs. However, I listen to lots of different music ranging from Duke Ellington to Wulfpeck. There are also plenty of artists from 60s and 70s that have had an influence on my writing, particularly riffs, such as Black Sabbath, Cream and Led Zeppelin.Living in Liverpool the past three years has also had a profound effect on my music. The city had such a rich live scene so I always try to go out and see live music when I can and it has definitely influenced the music I write.

3. I heard that you are going on a small hiatus, what’s the reasoning behind this?

At the minute we are just taking a break from playing with each other. We’ve gigging regularly since our debut gig on March 2017 and so we just needed a break from playing live so we can come back with newer and fresher ideas than before.

4. Are there any collaborations in your future, and if so with who?

So far Skinner’s Lane haven’t really collaborated with any artists. However I’m always open to working with other people and trying ideas out and it’s always exciting to try new things with different people.

5. How did the band form?

I first met James at Liverpool Sound City back in 2016 but had no idea we were going to end up playing a band together! He then ended up coming to the same university, where we also met Rob. We all loved riff melodic music and ended up starting a band that would

6. Can we expect any new music in the near future?

Absolutely! Keep your eyes pealed on any of the Skinner’s Lane website and social media in the next few months, we have some very exciting things to come.

7. Are you full time musicians or do you have jobs on the side?

Currently Rob, James and I study at The Liverpool Institute Performing Arts with aspirations of becoming full time musicians hopefully in the next few years. Rob has a part-time job on the side and then he also session plays for other artist as do James and myself.

8. What is your ultimate goal with music, fame and fortune or a good time?

World domination! I’d say our ultimate goal would be regularly touring and playing some of the biggest festival around the UK, such as Latitude, T in the Park and of course Glastonbury. It’s important to us that we write and perform music though that is both true to ourselves and the band.

9. Is the writing of the music a collaborative project or is there a certain person who pioneers it?

I pretty much write all the material and bring it to the group and we make appropriate changes where needed. We try the music to be both adventurous and catchy and importantly we try make each song we write stand apart from one another.

10. I love Dear Brighton, care to explain the writing and thought processes behind it?

Wow, really glad you like the tune thank you! It’s one of the first songs I wrote for the band and the first night-out experiences in Liverpool, which has one of the best nightclub scenes around and lots of really nice, great people. This song however was about me being disillusioned with a group of people I had just met and it expresses the feeling of confusion and weird vibes I was getting that night. I tried to make the song forward moving with it’s instrumentation but wanted to give a weird flavouring too, particularly in the bridge, to take the listener in this journey.

Written by Sophia Garvey - Singapore

My name is Sophia Garvey and I have a deep passion for music. I myself am a Musician so I understand the need for good publicity which can be gained from well written articles. My main goal is to help promote up and coming artists so that they have a better chance at success. I love to discover new music from all genres and can’t wait to start writing

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Published in Asia Section
Saturday, 14 April 2018 00:00

Olivia Henry LIVE at HOTEL CAFE

Come one, come all! Seriously...this place can fit 85 people, and I accept that challenge! I would be incredibly honored to have you come see me perform all of my new songs off of my unreleased album with the most unbelievable band backing me up! Please join me at Hotel Cafe this coming Saturday the 14th at 9pm sharp. I hope to see you there!

Olivia Henry - Hotel Cafe Second Stage
Featuring Olivia Henry
Apr 14, 2018 9:00 PM 

Pre-Sale Price: $10.00
Service Charge: $2.50
Pre-Sales Close Apr 14, 2018 6:00 PM

Talent: Olivia Henry

Info: Please Note: Tickets purchased on this site are for the mentioned artist only. If an artists name is not listed in the details, then tickets for that artists show are being sold separately, or at the door. 

Please purchase tickets accordingly for the artist you would like to support. 

One ticket is usually good to stay the entire evening, unless otherwise noted.

Thank you.

21+

Doors Open: 8:30 PM
Ages: 21 and up
Items Not Allowed: NO VIDEO OR FLASH PHOTOGRAPHY

The Hotel Café
1623 Cahuenga Blvd.
Los Angeles, CA 90028 United States

BUY YOUR TICKETS HERE

 

About The Hotel Cafe

The Hotel Cafe is located in the middle of Hollywood on Cahuenga Blvd, between Hollywood Blvd and Sunset Blvd. Cahuenga blvd is 3 blocks west of Vine Street.

1623 1/2 N. Cahuenga Blvd
Los Angeles, CA 90028
(copy and paste this into google maps)

Exit Cahunega Blvd from the 101 Freeway.
Head South for a few blocks (past Hollywood Blvd)
unitl you get to 1623. 
We're on the right.

DO NOT USE APPLE MAPS. IT WILL PUT YOU IN THE WRONG PLACE. WE ARE TRYING TO FIX THIS PROBLEM WITH APPLE.

Thanks! 

There are many parking options in the neighborhood. Below are several paid lot and valet options. Street parking is also available.

 

Olivia Henry grew up in Los Angeles, singing and writing poems. At an early age, she began classical vocal training with a Belgian Opera singer, and furthered her training in jazz, contemporary, and musical theatre. While attending CalArts conservatory Olivia sustained a debilitating back injury, and due to her immobility, began teaching herself piano and put music to her lyrics. She has since written dozens of songs, self released her debut EP Sessions in 2014, and is thrilled to be releasing her first full length album produced by Doug Makuta (Timbaland’s publishing imprint ole-Bluestone) this summer.

Website / Soundcloud / iTunes / FaceBook / Twitter / Instagram

 

 

Published in Band News USA Section
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