Last year I had the privilege in writing a review for the first studio album by Outsider/Lo- Fi/Indie artist Andrew Neil , entitled Merry Go Round. . I told the remarkable story about how the talented up and coming musician was able to succeed in producing a collection of songs this writer enjoyed mostly for the thought-provoking lyrics and well- structured melodies and riffs. (You can read the full story and review below)

http://www.theoldschoolproject.com/index.php/component/k2/item/157-andrew-neil-merry-go-round

Since then, Neil has been able to emulate his idol- Daniel Johnston- by being voted Rankers top Outsider artist. The genre pervades a distinct sound and style to it that allows the artist to express a raw, untainted edge without the use of technology. This has led to comparisons with Elliot Smith, Kurt Cobain, Neil Young and the aforementioned Daniel Johnston, who sadly passed away recently.

These comparisons can be heard in Neil’s latest offering entitled Freak, which was released this past week (OCT 15). This was once again produced by Andy Waldeck and the album brings fourteen more songs of Neil’s undoubted talent for writing engaging tracks about mental health, depression, love and loneliness. These tracks each tell a story, supported by an equally proficient band, and backup vocals from his father, Ray.

The self-titled opener is an emotionally charged song with some hooks that will keep the ears eagerly waiting to hear more. The self- reflective lyrics are daunting and telling, but the music chimes. The openingff hypnotises, whilst Neil’s ri innocuous vocals are rich and mellow. It is a good pick to begin with

https://open.spotify.com/track/6Pf9rZPRFqgY5alC80Heja?si=l7z3KdSwRWCplZa4ZSmrUg - Freak

Hope is an enchanting melody that could be an anthem for mental illness. Neil’s childlike tones deliver each line with aplomb, as the listener can empathise with his message. The strong metaphors intertwine with deft piano keys, and an overall vibe of positivity and innocence.

https://open.spotify.com/track/5l8eByPwRrL6rEmqaaWVJx?si=GH02SEbtTJej3XIHHXZukw- Hope

Pull Me Back Together reaches the midway point with another melodic track steeped with groove and a Latin influence. This is another reflective track that focuses on Neil’s recovery. I liked how the lyrics use nursery rhymes as a metaphor to convey this. Neil’s guitar play improves with every song, as each riff transcends throughout the album.

https://open.spotify.com/track/0UouIW4h28cCtjD7l1iSB4?si=wJITqGhjQw2UIwFffkGPRQ -Put Me Back Together.

Beautiful Dancer is another spell binding track, which I think focuses on looking for answers. The music is melodic and dark, whilst the bass and drums combine with mesmerising riffs that feel like the singer is floating amongst the clouds.

https://open.spotify.com/track/2zz2qWck9hNEIRtIq9gw9k?si=cHNn3AI6RQ-i5mKjciIVUw- Beautiful Dancer

The album wraps up with Disappear, a somewhat nod to Neil Drake. This gothic style track opens with a heavily distorted slide guitar. Neil’s tone is more bluesy with darker lyrics. The syncopated beats provide a catchy riff and structure that suits Neil’s overall ability as an adept guitar player and lyricist.

https://open.spotify.com/track/7GSLfsadDxosfh9VMdXRmz?si=POU-6iTcQuqzShAZW5BJdQ - Disappear

Overall, this was another strong outing from the impressive Andrew Neil. His albums improve with each release, as he is able to convey his emotions via a portal that he seemed born for.

Freak is out now via all good musical platforms like Spotify.

If you’d like more information about Andrew Neil and his other projects, please visit his website at https://www.andrewneilmusic.com/

Alternatively, you can follow the musician via his social media outlets,

https://www.facebook.com/Andrewneilmusic/

https://twitter.com/oneloveoneglobe

https://www.instagram.com/andrewneilmusic/

Written by Anselm Anderson - UK / Lancaster

My name is Anselm and I have a strong passion for music. I host two rock radio shows for the internet on a weekly basis. Also, I have experience in the past year of writing music reviews and conducting interviews with upcoming artists for several online music magazines. My main goal is to continue to write for thse interested in learning about what is new in the musical world.

Hire mr Anderson to review your band or your new album.

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Published in Europe Section

Lovesick Radio are a Pop/Rock band formed in 2006 in Las Vegas, Nevada, borne out of an ever growing pedigree for success. The six- piece unit are fronted by Lead singer Troy Brown whos is joined by Drummer Matt Seskevics, Bassist Glenn Viers and guitarists David Harris and Matt Bores.

They have toured extensively throughout the States in support of prestigious acts like Kid Rock, Bon Jovi, Scott Weiland, Three Days Grace etc . As well as this, They have toured across the Far- East in countries like Japan South Korea and China, including a recent appearance at ChangJiang Music Festival. They have even featured on MTV programmes “My Sweet Super Sixteen and “Bands on the Rise” They have been described as an “ unapologetic arena pop-rock band that you actually want to hear”. This is a fair assessment from a band with an arsenal of well written rock songs that focuses on Love, Betrayal and social disorders.

The band write wholesome music full of Rock ‘N’ Roll attitude coupled with a hint of Honky Tonk and blues influences that bring that much needed swagger modern day rock acts crave.

I will be looking at a few tracks from their back catalogue, before there upcoming LP is released.

Numb Me Up ( Stripped) is an acoustic version of the original hit. This track is a ballad I personally feel is about a man talking about the struggles he finds in a relationship with a loved one. The basic strumming patterns and hushed vocals produce an unlayered track full of melodies.

Tell Me Why is a pulse rating hard rock tune that has Boogie Rock influences . The opening riff adds salvo with slide guitar effects that adds an extra layer to the music .A huge pop chorus blends with the high energy of the music and the defiant message that will keep those fists pumping.

Hooray ( She Got Her Way) shows the band’s blues influences growing. The mid-tempo feel adds a confident vibe to the song’s structure. Brown snarls about a promiscuous woman full of sarcasm with trumpets added in the background and meaty riff that is testament to the musical craftsmanship

Come Together is an anthem that shows how the sounds evolves. This guitar orientated track has a tenacious riff that blends with soulful vocals and tasty breakdowns with a delicious solo that fits in towards the end.

Lovesick Radio certainly deserve more success. It will be interesting to hear anymore capabilities from the new LP.

https://www.facebook.com/LoveSickRadioBand/ The page is encouraging for fans with updated information on concert dates, news , colourful pictures and an opportunity for a livestreaming gig via Stageit.

https://twitter.com/lovesickradio This is another good page for fans with snippets of the band in the studio and information on further gigs. This provides a more personal interaction with followers, which I enjoyed reading.


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Band Interview

Could you tell us how you first met The Old School Project?

First I wanted to say thanks for taking the time to interview the band. As for the question; I wish I had a better answer for this but it was through the power of the Internet.

Could you explain to new listeners how you first met? And why you chose to form a band?

This version of LSR really came together after Troy and I ( David) recorded “ Hooray (She Got Her Way)”. We really enjoyed the process and decided to write some more songs together and just see what happens. After that things just started happening fast & we are still playing catch up.

What is the reason behind the name?

The name came from something our old drummer said. He was going through a break up and mentioned how every song he was hearing on the radio was about heartbreak. It was almost like the radio was love sick. We all just kinda looked at each other and said I think we have the name.

You recently performed at the Changjiang Music Festival in China, Could you tell us a bit about that experience?

This was our third time in China. We love the Country and the people. It’s pretty crazy to play for a few hundred thousand people. The people that bring us over and their crew are some of the best people to work with. Plus the crowds are great and we can’t wait to go back! We feel blessed to get to travel to all these different counties.

    

You have also performed in Japan and South Korea, What is a usual Far- East crowd like compared to a home crowd?

Each country and town are different. But the thing that’s really the same throughout the world no matter where you are is music brings people together. Everyone is there is have a good time and so are we!

Did you get to go sightseeing around the area? And the festival itself?

Sometimes we do! And when we get the chance we definitely love getting out to the city or around the people at the shows. But a lot of the time all we get to see is what we see through the window of the bus as we pass these beautiful landscapes.

Where there any local bands in particular that caught your eye?

There was this band that went on before us in China that was killer. I’m blanking on the name right now! We love catching the bands sets that we get to share the stage with.

You have some dates coming up, could you tell fans what to expect from the shows, and do you have any guests?

The shows are going to be fun with a ton of energy. We are looking forward to getting out with Wayland for a few dates. They are great live !

You have had the privilege to share the stage with an array of musicians like Scott Weiland, Hinder, Three Days Grace, Paramore and a host more, what was it like to perform with them, and who was the biggest influence on the band?

For me Scott Weiland was huge. I grew up loving Stone Temple Pilots and still do. Bon Jovi & Kid Rock was pretty crazy as well cuz those were stadium shows. And I think everyone grew up hearing those bands songs on the radio non -stop.

The band’s latest single “You Should’ve Known” is been broadcasted ON Air  on The Old School Project 24/7.

Published in Europe Section

Hello, River, thanks so much for speaking with me. I appreciate you taking time out of your day. I promise there aren't too many questions; shall we begin?

Cliché, I know, but can you tell our avid readers how River Lynch and The Spiritmakers came together and how you came up with the name of the band?

It started in 2015 when I decided to record a four-song EP of my originals. These songs were begging to be played with a band. Through a mutual friend, I met our bassist, Schuyler Skuse, and was re-introduced to our drummer, Tim Leverett. After a really successful set at the EP release show in 2016, we felt like we had something good and just started booking shows from there. The name Spiritmakers comes from my song of the same name. My definition of Spiritmaker is 'someone who lifts the human spirit through the power of rock ‘n’ roll music'.

River, you began your musical career as a solo artist before 'rallying the band' - a direct quote from your Facebook. Do you find being in a band more challenging or easier than performing on your own? How so?

‘Rallying the band’ is code for ‘Let's roll!’. I wouldn’t say there are more challenges being in a band compared to performing as a solo artist, just different challenges. With the band, it’s things like working around each person’s schedule and making time to accomplish everything we hope to. When performing solo, not having the band there to rely on can be tough at times. They’re different but I really enjoy both. My introverted self is a solo artist, and my extroverted self is the frontman of a rock ‘n’ roll band.

Do any of the band members have a musical background?

Schuyler began playing upright bass in 3rd grade, and electric bass in 5th. After performing throughout high school in an orchestra, jazz band, and the rock band The Absolutes, he went on to pursue a degree in Music Management at The Hartt School at the University of Hartford. At Hartt, Schuyler studied the bass with world-renowned jazz bassist, Nat Reeves, and graduated in 2014 with a Bachelor of Music.

Tim is a multi-instrumentalist, played piano since he was 5, picked up the drums at 13, and guitar at 18. Tim is also a composer and songwriter who has created full-length orchestral ballets and instrumental pieces for TV and film, as well as writing over 100 songs.

As for myself, my musical experience started with the trumpet in 4th grade playing in the school band. Around 12 years old I got my first electric guitar and was part of a rock ‘n’ roll band in high school. At 17, I wrote my first song.

You are releasing a new single in March called 'This World Now'. What can you tell me about it?


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It’s the heaviest song we have recorded so far. I hear it as a ‘psychedelic-western’.

  What was the inspiration behind the new track?

   The inspiration for 'This World Now' originated with an overwhelming feeling of personal injustice. Wanting to help someone who needed it, but not actually being able to help them. I see the song as sort of a thriller short film. There are three characters: the victim, the                     assailant, and the anti-hero. It’s dark and heavy, but speaks to the side of human nature that just wants things to be right. I’m really excited for people to hear this one. It’s a different side of us.

  What was the recording process like for 'This World Now'? Did you experience any problems?

   No serious problems while recording, fortunately. A while back, the guys and I laid down the foundation for the song; bass, drums and some rhythm guitar. More recently, I went back with our producer, Doug Zogby at GFI Studios, and began filling in the colours with vocals and       lead guitar parts. We’ve been playing this song live since our first show, so it’s been a lot of fun to bring it into         the   studio and really explore its full potential. I am really pleased with the way this song turned out.

  Could you briefly describe your song-writing process for us? Does each band member have a set role or is it a big ol' jam session?

   I write the songs and then bring them to practice and show the band. I’ll play them through a few times so they can get a feel for the structure, and then they start playing along to see what feels right. In most cases, it only takes a few practices for a song to be stage ready. It’s       all about the song with our band. Whatever we are playing, it’s to serve the original vision of the song.

 When you mention rock 'n' roll to someone, the associations range from Elvis to Nirvana or Deep Purple and Guns 'N Roses. What is your definition of rock 'n' roll?

  For me, rock ‘n’ roll should be dangerous, rebellious, loud, and dirty. It should have grit, passion and attitude. It should swing, boom and groove. It should make you move, make you feel, and make you think. It’s a mystical force that lives in your soul and is available to everyone.

  Rock ‘n’ roll is a symbol of freedom. Any band or artist that creates a genuine display of that, I would call rock ‘n’ roll. Chuck Berry, Elvis, Little Richard, the Stones, Hendrix, they are all prime examples of just that.

  How do you feel rock 'n' roll has changed over the years and has the change influenced your music?

The basic fundamentals of rock ‘n’ roll really haven’t changed much since its birth in the 1950s. I personally think in the past few decades it began to lose it’s ‘roll’, becoming stiff and uninspired. Of course, there has always been a handful of great artists keeping the flame burning in every generation.

Right now, I hear a lot of bands with similar influences as myself. I’ve noticed that a lot of people my age grew up listening to music from the 60s and 70s, and I think that is reflected in today’s rock ‘n’ roll. There are some really great bands right now that capture that genuine rock ‘n’ roll sound. It keeps me hopeful for the future. It’s not heard that often on terrestrial radio or in the mainstream. Fortunately, there are so many other ways to discover new music today.

Are there any bands or artists that inspire your sound?

We have a wide range of influences from all different times and all different artists. With that said, our sound has a 60s and 70s vibe for sure, so we are heavily influenced by a lot of bands from that time period. On a playlist, we are placed with bands like The Rolling Stones, Tom Petty, Alabama Shakes, Ryan Adams, and Gary Clark Jr. to name a few. We’re just trying to do our own thing in our own time.

Grassroots music receives more promotion now than in previous years with the help of the internet, so what is it like being an independent band in the 21st century?

Being an independent band in the 21st century is empowering but also very challenging. You have to do a lot of things you never thought you would have to do - one part musician, one part businessman. On the other hand, you have complete freedom with your creative path. There are also more resources for independent bands to use now, than ever before. That makes some stuff easier, but also brings along an entirely new set of challenges.

It’s good though, there are a lot of opportunities. I also think the general public is much more aware and supportive of independent artists nowadays. It’s all about building a fan base of your own.

What advice would you give new bands?

Remain true to your creative vision. It’s easy to forget why you’re doing all this in the first place.


Since you've come so far ...

.... we would like to inform you about The Old School Project's operation. Over time, the number of people interested in The Old School Project has steadily increased. Unlike other websites and online media, the core of The Old School Project is not the well-known journalists and radio producers, but the young people in the field of journalism who nevertheless worthy of their place. Therefore, the resources for running The Old School Project, which requires time, money and hard work, come only from its physical place, the coffeehouse.

So to continue to provide our services to upcoming bands / artists, giving the opportunity to new journalists publish their articles, and to develop our innovative ideas, we ask you to devote a minute of your time and become a part of The Old School Project.


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Other than the upcoming single, 'This World Now', what can we expect from River Lynch and The Spiritmakers in 2019?

We’re focusing on playing in new places. Over the past two years, we’ve done multiple 3-day tours in Canada and on the East coast. We would like to do more of that. We’re also working on booking more festival shows, and we will have even more new music as the year goes on. We have had some good fortune come our way since we started. We’re taking that with us as we head out through 2019.

Thanks so much for speaking with me, River. Wishing you the best for your new release and all your future endeavours!

Written by Nicole Mendes / Germany - Norden

My name is Nicole and I am a South African-born music writer currently based in Norden, Germany. For several years I have worked with award-winning indie music blogs conducting reviews, reported on breaking festival news, but my specialism is interviewing.  I currently work as editor-in-chief for an indie music blog I founded where I specialise in interviews with independent artists.

Hire ms Mendes to review your band or your new album.

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Published in Europe Section

Stead Job is an old-school rock band from the metropolitan area of São Paulo, Brazil that hits the road on a customized yellow van called "The Kombosa Submarine" (Any reference to a certain quartet of Liverpool is not a coincidence). These four Classic Rock´n 'Roll aficionados bring a part of rock history live to the stage. I talked to Vanessa Abreu, lead singer and guitar player is responsible for the amazing female vocals. She represents the Pin Up and of the 50´s.

 

 

(GF) Characterization is an important element not only of your performance, but it seems to be part of the very concept of the band. Can you tell us more about it?

(VA) We thought of a way of mixing the previous experiences of the members, who had been over 20 years on the road in many bands of different styles. We dress as characters who represent our favorite decades in the history of rock music. I am the Pin Up, with red lipstick, representing the 1950´s aura. I also try to show that there is a place for women in rock. Lêu Abreu, the drummer, is the hippie of the 1960s. His costumes evokes the vibe of Woodstock. Renatera, the bass player is passionate about the 1970´s Groove and Marquinhos Carvalho, guitar player, is a represents the geek culture of the 80's.

(GF) What is the typical repertoire of a show?

(VA) The show's repertoire includes a hand full of classics, hit songs from Led Zeppelin, Queen, Janis Joplin and Creedence, among others. The Brazilian rock is represented by Rita Lee and Raul Seixas. And, of course, there´s also Beatles. Actually, we got the name of the band from the lyrics of "She came in through the bathroom window" and "Paperback Writer". We like to think of it as the perfect soundtrack for a road trip.

(GF) Who is in the audience of Steady Job?

(VA) The band has been together for three years and after almost a hundred shows in the curriculum, we realize that Steady Job attracts both young and old children interested in the sound and the story of rock music. Our motto is "Rock brings people together". I think the elderly have their memories revived and youngsters start to learn about the rhythm and develop a taste for it. Sometimes our fans turn into friends these relationships go beyond show days and come to life in genuine friendships. Last year we recorded a CD with the favorites of the audience. It also included the single "Three Wishes", the group's first composition.

(GF) How about future projects?

At the end of this year, we will record our first EP! We still don´t have an official release date, but I can already tell you that the album is full of love stories, from different points of view. We mixed the melodic styles of folk and powerful choruses of pop, but with a vintage signature, that is our trademark.


Since you've come so far ...

.... we would like to inform you about The Old School Project's operation. Over time, the number of people interested in The Old School Project has steadily increased. Unlike other websites and online media, the core of The Old School Project is not the well-known journalists and radio producers, but the young people in the field of journalism who nevertheless worthy of their place. Therefore, the resources for running The Old School Project, which requires time, money and hard work, come only from its physical place, the coffeehouse.

So to continue to provide our services to upcoming bands / artists, giving the opportunity to new journalists publish their articles, and to develop our innovative ideas, we ask you to devote a minute of your time and become a part of The Old School Project.


You want to go bigger? Enter your own contribution amount.


 

Published in South America Section

Severed Stars

Severed stars are a Spanish based rock act, hailing from Zaragoza, that comprise of members from the Uk, Spain and France. They write poetic lyrics with the intention to create their own brand of “Alternate Rock” The band themselves play a fusion of prog/ and Alt rock that convey some powerful and emotional music, which could delight any listener with their epic passages, heavy drums and highly energized guitars. They have been compared to bands like Tool, My Bloody Valentin and Helmet.

Severed Stars consists of:
Robin Blackmore: vocal, guitar and songwriter
Ramon Castillon: guitar
Remy Daragon: drums
Gary Rackham: bass and bv's

Severed Stars recently released debut EP “Stormcloud Songs “last March

http://severedstars.com/ This is account is beautifully designed to match the creative minds of the band themselves with a couple of videos for new fans, as well as a nicely organized photo gallery, which features a category of recording sessions, and another of live gigs. My only criticism would be there is no biography of the group for listeners to understand who they are.

https://www.facebook.com/SeveredStars/ This is another good site from Severed Stars with a lyric video as the band’s background profile pic. I feel this really encapsulates the band's aura, where you will find updates and review of their latest singles, as well as a more informative video section for new fans.

Barefoot Modern

Alternative rock act Barefoot Modern are four young college friends from Boone, California. Yet, this is only the beginning of the story of these talented musicians who came to be. Diminutive Lead singer Tegan Dean started entering talent shows at the age of 8 singing country songs in between soccer practice, her warm vocal range will surprise many, along the classically trained drummer Caleb LeJeune, guitarist/keyboardist Robert Beverly, and bassist Hunter Evans, who spent much of their adolescence learning the stand-up bass, piano, and guitar, respectively.

They started writing at 15-year-old , and soon formed their own garage-grunge band The Bliss Trip, gaining widespread media attention and opening for national acts such as Rainbow Kitten Surprise and Jonas Sees in Color. Caleb would sing vocals, while Tegan joined in on harmony. They soon swapped roles, and before long they formed Barefoot Modern as the four started college, the guys at Appalachian State University in Boone, North Carolina, and Tegan at nearby Leas-McRae College. Barefoot Modern sing beautiful melodies entwined with a harmonious rhythm section that combine to create an enchanting collection of pop songs. The band recently released debut album “Younger Years”

https://www.facebook.com/barefootmodernband/ This is a nice site that truly shows the band’s bubbly personality. The reader is gripped instantly by the background picture of the band enjoying Christmas. The videos and pictures support this exterior image with a couple of cover tracks including Led Zeppelin’s whole lotta love, plus some nicely shot images of the band posing.

https://twitter.com/barefoot_modern This is another good site that formulates a personal touch..The band share quite a few bits of new from friends, as well as updates of their own. This gives me the feeling that they are inviting the listener into their lives.

 


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Leon Marshall

Leon Marshall is a singer/songwriter from Harrogate, England, influenced from musicians as diverse as Elvis, Ed Sheeran and Cypress Hill. He has performed at the famous Harrogate Blue Bar, as well as performed regular Open Mic circuits. In his spare time, he runs a successful Cleaning business with his partner, as well as card playing, whiskey drinking and smoking his favourite tobacco. Hs debut EP “feel the Rain” last June, which was accompanied by a lead single” Bad”.

Leon plays country tinged guitar music with a basic strumming patterns interloped with foot tapping rhythms

http://www.leonmarshall.co.uk/ This site features some good photos of Marshal enjoying the fine things in life, as well as some videos of the star playing covers. There is a nice about section that lists his accolades, as well as an option to book him for gigs.

https://www.facebook.com/leonmarshallmusic/ This site feels more personal with some photos of Leon’s rehearsal equipment, as well as performances at local venues, as well as posters of the singer’s latest gigs. There are no videos for fans to enjoy, though.

 

Horizon Arcs

Horizon Arcs is an American rock band, formed in 2014. The band began writing original music a year later. They are heavily influenced by acts such as Weezer, Foo Fighters and Sublime and soon started touring around the states in order to generate interest with appearances, including the Midwest alternative rock circuit including Chicago, Indianapolis, Detroit, Toledo, and Nashville. .

The band released their first single "Bad Radio" in 2016, and followed up in 2017 with the release of their full album "Anybody Listening". The band’s music is high energy Punk with intelligent lyrics, heavy guitars and an accessible sound for any music fan

http://horizonarcs.com/ An easy site to maneuver, This is a good webpage for any ardent fan with a link to their music, some lovely colourful pictures, and lyrics to read.

https://www.facebook.com/HorizonArcs This is a fun insight into the band behind the scenes. There are some great photos of the band enjoying themselves, as well as videos of the band that fees like a personal interaction with the fans

https://twitter.com/horizonarcs This is another great account for fans with regular updates plus opportunities to listen to their latest tracks (plus an TOSP mention).

 


Since you've come so far ...

.... we would like to inform you about The Old School Project's operation. Over time, the number of people interested in The Old School Project has steadily increased. Unlike other websites and online media, the core of The Old School Project is not the well-known journalists and radio producers, but the young people in the field of journalism who nevertheless worthy of their place. Therefore, the resources for running The Old School Project, which requires time, money and hard work, come only from its physical place, the coffeehouse.

So to continue to provide our services to upcoming bands / artists, giving the opportunity to new journalists publish their articles, and to develop our innovative ideas, we ask you to devote a minute of your time and become a part of The Old School Project.


You want to go bigger? Enter your own contribution amount.


 

 

J Klein

 

Justin Kleinhoffer, better known as J Klein, is a 28 year old Singer/songwriter/musician, has been performing as a solo artist since 2004 , also performing as a member of the the Chicago-based duo "Etna & The Mammoth", as well as a touring partner with EFFIC. Klein has established himself as a live performer, as well as an accomplished producer, engineer and session guitarist, vocalist, mandolin player and keyboardist

Klein is the winner of the 2015SSA songwriter of the year, as well as performing at countless music venue, clubs, coffee houses, bars, festivals and many more places.

Klein recently released his first full length debut album “ Path Thru the Low Tribe”, produced and mastered by L. Nix Mastering, part of the famous Ardent studios in Memphis, Tenn.

http://www.jkleinmusic.com/home.html This is site has been designed in a professional manner to really underline the pedigree of Klein with some well- shot images of Klein playing guitar. There is information about upcoming gigs, plus an informative bio. There are also videos of Klein performing plus lyrics from his new album

https://www.facebook.com/J-Klein-615835831810620/ This feels like it involves fans with festival updates, plus videos taken by Klein onstage. Klein also includes photos from his guitar collection, which feels like an intimate gig at home between the fans.

 

 

Written by Anselm Anderson - UK / Lancaster

My name is Anselm and I have a strong passion for music. I host two rock radio shows for the internet on a weekly basis. Also, I have experience in the past year of writing music reviews and conducting interviews with upcoming artists for several online music magazines. My main goal is to continue to write for thse interested in learning about what is new in the musical world.

Hire mr Anderson to review your band or your new album.

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One minute and fifty seconds. That´s all it took for me to fall in love with the Slovakian Stringbow Trio. When that short video hit my Facebook timeline, I knew it was time for me to pay attention and listen carefully. The record was from a live performance at a summer festival in Trnava, one of the many cities in Slovakia where the band performs their irresistible mixture to always crowded, enchanted audiences. Suddenly, the video is gone, followed by another one and before you know it, the internet ocean drowned you again. But not this time, I thought. I had to learn more about those extraordinaire musicians! First, I could find they came from Topolcany, a city founded in the 9th century that used to be a regional market centre during the Middle Ages and a crossroads of trade routes. Classy, all right! That explains the cosmopolitan flair of the Trio formed by: Adam Halás (21), Violin; Rastislav Sumega (20), Guitar and Lukáš Deviatka (20), Upright bass. But who were those guys? Searching for the 1:15 video post once again, I came to Adam, the violin player and voice of the Trio, when it comes to international relationships:

(GF) How would you describe the repertoire of the Stringbow Trio? By the way, how did you guys come to that name?

(AH) The name of the band was created by the words string and bow, meaning the violin bow. Our repertoire consists of songs from all over the world, including famous compositions, which are arranged in an original way. We also like to play songs from Django Reinhardt and Stephane Grappelli, in French string jazz style. In other worlds, it is music without borders.

(GF) I would definitely say you guys get a touch of Latin Jazz in your tunes, too. It is really impressive!

(AH) It´s just creativity and music fusion, but I would say that, if there´s something special about our style of playing, it is the fact that the Trio consists only of string instruments. I believe that this unusual formation gives our music a unique sound.

(GF) Your live videos show a very dynamic stage performance and I would say you´ve probably known each other for a while. How did you guys meet and when did the Trio started?

(AH) We are classical trained musicians, so we all met at the Conservatory. That´s where we started to make music together. Although we also perform as soloists in Chamber orchestras, jazz groups, tango orchestras and many other formations, the Trio itself started performing internationally in 2017, after we got the price at the New Faces of Slovak Jazz competition.

(GF) Future plans?

(AH) The Trio will record its first album. We don´t have a release date yet, but we will come with more information by the end of the Summer. You have something to look forward to!


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 Visit bands social media and enjoy their music

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Written by Geisa Fernandes - Brasil / Rio de Janeiro

The repertoire of this jazz singer and awarded songwriter from Rio de Janeiro reveals influences of Brazilian popular music, the French chanson and Latin American rhythms, but most of all, Geisa Fernandes is a jazz singer. Billie Holiday aficionada (back in college folks used to call her "Lady Doc"), this PhD holder and Comics researcher was a former vocalist of several bands in São Paulo. 

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Published in South America Section
Monday, 27 August 2018 14:56

Ryan Webb Review

Ryan Webb is Singer/Songwriter from London, England with an abundance of talent waiting to be released upon the world. I was approached a few months ago to write a review of his latest EP from his wife/ manager, Sonya. I jumped at the opportunity after listening to his music. Webb has been compared to Muse’s Matt Bellamy by his local newspaper Uxbridge Gazette , which described him as “With what appears to be an endless supply of air in his lungs” ( Hughie Dixon, Uxbridge Gazette).

Webb formed his band in 2015 and released Stop The World in June. The album was produced by Pete Maher (The Rolling Stones, The Killers and Liam Gallagher).

The album is 9 tracks of blistering guitar skills and heart- warming emotion that is transparent to the listener throughout. Webb produced, wrote, played and mixed the album in a 3-4 months’ timescale.

Webb is able to write introspective lyrics from a philosophical standpoint about the many troubles that face us in everyday life.

Stop the World begins with Before I Die, a mellow track with dark overtures. Webb seems to be reflective on seeking answers in life. The simple guitar chords create stark and delicate textures that supplement Webb’s musings . I feel this melancholic effort acts as a platform to what is to come from the remainder of the album.

Guilty is a more heavier rock track more appropriate for rock radio stations. This leans more towards the Matt Bellamy comparisons with the harmonic wizardry on electric guitar on display.

Immortal takes the perspective of a man who feels like he is living in perpetual motion. The lyrics are enchanting, the music more progressive. The backbeats of a thick bass sound that slithers along toward a climax of a beautiful instrumental that feels like the listener is marching along towards immortality.


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.... we would like to inform you about The Old School Project's operation. Over time, the number of people interested in The Old School Project has steadily increased. Unlike other websites and online media, the core of The Old School Project is not the well-known journalists and radio producers, but the young people in the field of journalism who nevertheless worthy of their place. Therefore, the resources for running The Old School Project, which requires time, money and hard work, come only from its physical place, the coffeehouse.

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The album begins to gather pace and make strides with incorporations of different genres that reflect Webb’s influences.

Insomnia is the standout track with a heavy riff that reminds me of Soundgarden with an added snarl to the vocals.

Lucky Ones continues this entrance into more heavier rock, which I feel suits Webb’s vocals more. Because plays to his strengths as a versatile vocalist .The lyrical content looks at the juxtaposition of the world we live in compared to those less fortunate. The high energy riff builds nicely towards a frenetic guitar solo that becomes a part of the diet onwards.

Runaway and Stop The World are the right choices to finish the album. They are easy listening tracks with relatable messages. The most striking thing about the tracks are the inclusion of electrified guitar solos that adds a certain finesse to Webb’s craftsmanship as a musician.

Overall, Stop The World is a finely crafted example of song writing and strong usage of instruments and s production values that would really go places on commercial rock radio.

You can find more information about Mr Webb via his website.

Alternatively, you can follow him via Facebook  & Twitter.

Written by Anselm Anderson - UK / Lancaster

My name is Anselm and I have a strong passion for music. I host two rock radio shows for the internet on a weekly basis. Also, I have experience in the past year of writing music reviews and conducting interviews with upcoming artists for several online music magazines. My main goal is to continue to write for thse interested in learning about what is new in the musical world.

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Published in Europe Section
Tuesday, 29 January 2019 21:24

Reviewing 'Blame' And Interviewing MaWayy

The internet is a dominant force in almost every person's life nowadays. If you really think about it, people are spending more time online than ever before for both personal and professional reasons. Just yesterday I was researching online ballet classes; ballet classes, who'd have thought it? So, why should I be fascinated by musicians producing material without ever being in the same place at the same time? I don't know, but I am.

Now the boring introduction is over, let me get to the meat of this review - MaWayy. A dance-pop duo who have never met in the flesh. All their production is done online and, get this; they aren't even in the same time zones! Brain Wayy lives in Los Angeles and Masoud Fouladi Moghaddam is in Bandar-e Anzali (that's in Iran). Intrigued? I was...am...whatever.

Each a music industry professional with an impressive history, Masoud and Wayy eventually found themselves connecting in 2015. Their initial release as MaWayy was 'Wrong' in 2017 which held the number 42 position on the Billboard Dance Club Songs Chart for three weeks, but I'm here to chat about the latest single 'Blame'.

'Blame' is one of the traditional dance-style tracks, which could account for its popularity on the Billboard charts. It is well-produced with the synths carefully placed to not only emphasise the vocals but take the listener on a rollercoaster of a ride. The vocals, on the other hand, are quite calming with a smooth and delicate pitch. Despite the sombre lyrics, I have to say I find 'Blame' a breath of fresh air. Maybe it's because I don't hear much dance-pop or perhaps it's because a man is saying we can blame bad relationships on him. Watch yourselves, boys, we're holding you to it!

'Blame' was released in October 2018 and my only disappointment is that it took so long to reach my ears. The MaWayy duo has captivated me, and I will be keeping my eyes open for more of their work. 'Blame' can be streamed via Soundcloud or you can view the official video on their YouTube channel.

'Blame' video
'Blame' SoundCloud

 

 

For more MaWayy, check out their socials and official website.

Facebook / Twitter / Website

 


Since you've come so far ...

.... we would like to inform you about The Old School Project's operation. Over time, the number of people interested in The Old School Project has steadily increased. Unlike other websites and online media, the core of The Old School Project is not the well-known journalists and radio producers, but the young people in the field of journalism who nevertheless worthy of their place. Therefore, the resources for running The Old School Project, which requires time, money and hard work, come only from its physical place, the coffeehouse.

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Interview with MaWay

 

Good day, gentlemen. I hope you are well. Thanks for chatting with me, I appreciate it. Shall we begin?

Now, we can see that MaWayy is a combination of your names Masoud and Wayy, but did you throw about any other names for your group before settling on MaWayy?

Not really. We’ve been thinking about it for a while, but Brian’s 13-year-old daughter said: 'Hey Dad, what’s your partner’s name?' He said Masoud, and she immediately replied: 'how about MaWayy.' We both loved it!

Something I find particularly fascinating about MaWayy is that you produce music without having met each other and living in separate countries. What are the challenges of this?

It can make it a little difficult because we cannot sit together and play some chords or have fun with it 'til we find the magical chord progression. Since there is a big latency in communication, between two sides of the world, we can’t play live behind our computers and even FaceTime gets boring after a while. So, it has to be sent by email to get the stems.

It isn’t a bad thing because when we get up in the morning, we’re always expecting an exciting email or text from each other since the other party was working while one’s sleeping. Sometimes it is a solid instrumental, and sometimes it’s a new playlist placement!

While there may be challenges, are there any benefits to having a long-distance music relationship, if we could call it that?

It gives us time to really think about what we both want to create. The best part is that we get surprised every time by one another- new inspirations require patience. Distance has really taught us both that.

Living on other sides of the world, how did you 'meet' each other?

Brian Wayy released a CD called XCultures, and Masoud Fuladi got a hold of the CD in Iran then emailed Brian saying he was a huge fan of his music. Brian asked Masoud what he did and asked him to make music, which then grabbed his attention due to the quality of performance. Masoud started composing music for television with Brian. A year later, Brian asked him if he wanted to start a project together. They went out and found lyrics writers and singers that fit their brand, which then created MaWayy.

Each of you has a strong background in the music industry, can you tell us about your history?

Brian was a live musician and toured with major ska and pop bands, also remixing pop artists into the dance club mixes. When he met Masoud, he found that creating dance music truly was something that sparked passion back into his soul.

After Masoud's underground music career, producing trance and progressive, supported by stars like Armin van Buuren, he wanted to expand his musical vision and knew that collaborating long-term with Brian would be the best opportunity. This became the foundation which began their journey with MaWayy.

You released a single called 'Blame' in 2018, what can you tell me about the track? What inspired the track?

We started an instrumental like a progressive. A big room kind of sound, and collaborated with LaVoyce - a singer/songwriter from Dallas. The song happened to be so good that we wanted to match a better style with it. So we tried to change the production a little bit, but it didn't go well; then we changed it completely to bass music.

LaVoyce told us: 'when I wrote the song I was just thinking about love and how complicated it can be, and that’s what came out. I have an organic way of writing where I don’t write anything. I only record right in the moment, so everything that comes out is authentic and true.'

Living in two countries - I know I come back to this, but how do you feel the separate cultures influence your music, if at all?

We’re making international music which does not have much influence from any country. It sounds like pop-dance genre or this day’s EDM, so we don’t think there’s cultural influences in our music. Yeah, maybe in some chords somewhere in our songs, but not in general.

Do you have any specific artists that influence your sound?

Definitely, today's Top 40 chart music helps our career as a group, but individually we stick to the old tunes that give us goosebumps! Brian is influenced by any great music. Masoud is influenced by Vangelis, Pink Floyd, and Late Night Alumni.

Can you describe your recording process for 'Blame'? How does it all work from a digital perspective?

In general, we compose tracks and send them to top-liners, and usually, they come up with lyrics. Once we approve the lyrics, they record their vocals and email them to us. We then fix any vocal flaws and modify the music a little, and then mix and master them for the final release. We record many songs before we release our favourite.

MaWayy also released a lyrical music video for 'Blame'. Who created the video and how did you come up with the idea?

Well, lyrics videos are popular these days, and we decided to try it on 'Blame'. We found this amazing company called Red Cat Motion in Vietnam, and we connected with them. We knew it should be more than only lyrics, so we asked Leo DINH (the director) to make a 2D-3D animated lyrics video for us, and he was so passionate about this project. As you see, there is a car chasing scene, and even our vectored pictures are in the video. We had many brainstorming sessions, and the relationship between us made this video stand out compared to other videos.

Your first single 'Wrong' was released in 2017, then 'Blame' in 2018. Can we expect another single this year?

We have recorded at least ten tracks and have a completed video that has not been released to the public. Currently, we have ten songs in the pipeline. Since we are now signed to Kobalt Distribution, we are going to be releasing more new songs in the near future quicker than our previously.

'Wrong' reached #42 on the Billboard Dance Charts, and now 'Blame' is steadily rising (#18 at the time of this interview). What was your reaction when you saw you were on Billboard again?

Yeah, we peaked #18 on the Billboard Dance Charts! That has been really exciting for us! One of the best feelings in the entire world is knowing that we are making an impact on our listeners and people dancing in clubs to our songs. We hope to continue to accomplish that.

So, what are your plans for 2019? Do you think there will ever be a meeting of Ma and Wayy?

We truly hope so! You never know what may be in store for us next - we may be touring. ;)

And that's it! Thanks so much, once again. Wishing you all the best with your endeavours, and I'm certainly going to keep my ears open for more from MaWayy.


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Written by Nicole Mendes / Germany - Norden

My name is Nicole and I am a South African-born music writer currently based in Norden, Germany. For several years I have worked with award-winning indie music blogs conducting reviews, reported on breaking festival news, but my specialism is interviewing.  I currently work as editor-in-chief for an indie music blog I founded where I specialise in interviews with independent artists.

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Published in Europe Section
Wednesday, 27 March 2019 10:17

Skinner's Lane New Release "Once Again"

Back with a bang, the up and coming Skinner's Lane released their latest single “Once Again” on March 22nd. Similar to their previous tracks, their latest release has caused ripples in the rock scene due to it’s heartfelt message and heavy guitar riffs that are reminiscent of the early punk scene in England. There is also a hint of Indie/Alternative vibes throughout the song, which could be a nod towards the likes of The Arctic Monkeys, who started out playing similar gig circuits to Skinner's Lane.

Once Again begins with a catchy Riff that immediately becomes entwined into your head, the almost mesmerising sound is only heightened by the explosive drums and hard hitting bass line. The song itself is perhaps an oxymoron. The wild and upbeat sound creates a happy and positive vibe while the emotive lyrics add a layer of depth which showcases the talent the boys have at its best. Each instrument works together to compliment the severity of the lyrics, and not one outdoes the other. Drummer Sander Valset works hard to keep the upbeat tempo, while Zak croons away in the way that only he can. Perhaps it’s the accent that keeps the listeners

interested or maybe it’s the way he words things, either way, all I can say is that he keeps us hooked. Bassist Chris Jones provides the stability throughout the song which makes this an easy and exciting song to listen too.

“It’s not okay the way you talk to me”. I’m sure that this line made you think of someone who doesn't treat you how you should be treated. It’s witty one liners like this that capture the attention of the listeners and evoke emotion from them, whether in be sadness or something else all together. The way that these lyrics were crafted immediately makes them memorable and intoxicating to listen too.

Overall, Skinner's Lane did not come to play with their latest single “Once Again”. The slightly more punk sound propels this hit into another level all together. The way that this band so easily flits between more than one genre of music makes it easily popular with people who have a wider variety of taste. Another great song delivered- when will the next be released?

Rai Kah Mercury fell in love with a feeling, and I fell in love with their song. Does that mean I fell in love with a feeling? Yes, I guess...I think. Anyway, it wasn't after the chorus or the first couple of verses, but immediately when Tomas Crean started singing. A voice far mature than his years (he's only 18) and reminiscent of Alex Turner or old-school Jon Fratelli. However, it's not just his voice that will make you do a double-take, it's the band's skilful handling of their instruments.

I'm getting ahead of myself; let me first introduce you to this talented rock and roll band from Staffordshire. Led by Tomas Crean on guitar and vocals, Reece Shaefer (bass), Joshua Anthony Lowe (drums) and Nathan De Giorgi (keys) started navigating the world of blues-rock in 2016. In the past three years, Rai Kah Mercury released a single called 'Terror Incognita', received airplay from BBC Introducing West Midlands and Switch Radio, and have been added to Spotify's 'Discover Weekly'. Fans constantly praise RKM for their live performances, which explains their packed gigs.

As you can sense, I'm quite a fan of 'I Fell In Love With A Feeling' from the beginning to end; however, it's the final minutes that truly astound me. A seven-minute-long song, it's surprising I made it to the end given my short attention span. The thing is, you need to keep listening to enjoy the pure joy that is Tom Crean's guitar. I mean him playing the guitar, of course, although I'm sure the guitar itself is lovely. He's no Santana or Eric Clapton, but the expertise with which he plays that instrument is mesmerising. It's hard to believe Crean and his clan are so young based on the maturity of their sound. If this song is anything to go by, in a few years they'll be a true force of nature.

 


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Chatting With Rai Kah Mercury

 

Hello gentlemen, I hope everyone's enjoying their week. Thanks for chatting with me. I appreciate the time out. So, shall we begin?

Yes, thanks so much for inviting us.

Firstly, how did you choose the band name, Rai Kah Mercury? It's quite an unusual one.

Nothing magical. We didn't go through any meaningful process or any divine inspiration, just threw a few things out and this one stuck. I guess we were looking for something that didn't define us by the name. Some band names immediately clue you into what genre of music you are likely to get, and as our music is going to be fairly broad in appeal we didn't want a name that defined us from day one.

How did RKM come together?

We are now a four-piece having recently introduced keys, which has really helped in the studio and live. Tomas (guitar/vocal), Reece (bass) and Nathan (keys) went to school together since the age of four up to sixteen. That means we are like brothers, you know, loving each other but irritating the hell out of each other too!

We had a primary school band called Toxic Crocodiles and played a couple of gigs at school, at a local festival and at parties. ToxCrocs fizzled out when we went on to high school, but we'd put down a marker and knew we wanted to continue somehow. We would jam together in the high school studio, cranked up so loud that our ears are still paying the price today. Many of the songs now in our set were born there.

Tomas had a job after school, and that's where he met Josh (drums). The guys booked some studio time together, and Rai Kah Mercury was born. We played a number of open mic evenings before our very first booked gig supporting Rascalton in Coventry in November 2017.

You're a young band, not only in the time you've been together but also young in age. Do you think that your youth is a benefit or disadvantage when it comes to making music?

That's a really tough question! We don't dwell too much on it, but we take a mature approach to our music and audience. We find ourselves at home with the indie crowd as much as with mature rock audiences.

It is a disadvantage to the extent that three of us are university students and one works all over the place, so it's harder to get together, but we tend to turn that to our advantage by being more focused and selective about when we rehearse and increasingly with the gigs we play.

When we were starting out we would surprise people who were expecting something different from a young band, but that advantage doesn't last long. We look back at bands we like, and some of them were as young as us when they were making successful albums. You think of Free, for instance, who had 'All Right Now' off their third album and were the same ages as we are now. We want no excuses made for our age.

Have any of you performed in bands previously or have a musical background?

As mentioned, three of us had a primary school band that morphed into RKM. Tomas also recorded some solo stuff from before his voice broke which was a great experience of working in a studio. Josh had played percussion for his church ensemble and also had some experience of live production work with them.

Nathan is the A* virtuoso, or primo uomo of the band; he has performed in musical theatre and can play a variety of instruments to grade 8 standard. Oh, and he’s a music student at the University of Oxford, so it's great to have that different angle in the creative process.

The single 'Terror Incognita' was released last year. Did you have any challenges when it came to writing and recording the track?

We were recommended to work with Ryan Pinson of RML Studios in Wolverhampton, and working with him on 'Terror Incognita' was a breath of fresh air. He 'gets' us and is very hands-on while also being receptive and creative. We wouldn't change a thing with that track.

Initially intended as an acoustic track, Tomas had written the riff a number of years prior to bringing it to the band; however, in one session roughly a year ago, the song entirely transformed into the energy that is recognisable in how it sounds today.

When we hit the studio, it was all about getting the sound right, creating the ambience we wanted, and our luck was in with Ryan. It makes us realise how important the producer is to the process.

Now let's talk about your single, 'I Fell In Love With A Feeling'. What can you tell me about the song; what's the meaning behind it and how did it come about?

This is a fresher tune conceived more recently and very different to 'Terror Incognita'. It is more upbeat, funky and melodic; the instruments are more separated than on Terror. A feature of our live performances is that many of our songs develop from verses and choruses into explosive jams, and this song perfectly showcases that.

Lyrically it has a dreamlike, stream of consciousness quality, nothing too deep; but it’s about taking a step back and generally appreciating the things that the pace of life has made so easy to overlook.

Do you feel it was easier to record the new single after gaining experience from 'Terror Incognita'?

To an extent. Working with Ryan on Terror gave us confidence that it would be a good outcome, but the studio process was perhaps more challenging than the experience with Terror. We arrived at the studio only a matter of days after first practising the track, so the studio process was really about us starting from scratch and shaping how we wanted the track to sound, as opposed to the preconceived ideas present with 'Terror Incognita'.

I've listened to the track, and the first thing I notice is it's almost seven minutes long. Do you think it wise to release something that length considering people are all about immediate gratification nowadays?

The track length doesn't concern us at all. Many of our influences put out tracks much longer, and their fans relish that. When we play it live it seems to go by in a flash. The length of the track wasn’t discussed beforehand, and it only found itself to be 6:40 after a spontaneous one-take guitar solo that we loved and didn’t have the heart to cut. It’s all about the integrity of the music and doing justice to any given song. We have been asked for a radio edit for the new song, and we've had to do that as it's too important at this stage not to say no and not have the track aired, so we have had to compromise and fade out the closing jam which hurts, but a necessary evil at the moment.

The guitar solo in 'I Fell In Love With A Feeling' is truly mesmerising, something I'd expect from a far more experienced guitarist. Tomas, was it difficult to compose and record the solo? Also, how long have you been playing the guitar (so that I can be more flabbergasted)?

Thank you for that! I’d be lying if I said that the solo was composed, I don’t know if I could even play the same solo twice. We recorded a long outro rhythm section with the intention of the solo fading out much earlier, but one spontaneous solo take later, and the track was 6:40 minutes long.

We'll speak for Tomas in saying that playing the solo is probably the easiest thing he has to do; it just flows out of him. He first picked up a guitar when he was around six years old, and is self-taught, concentrating on feel as much as, if not more, than technique.

Who would you say are your greatest musical inspirations?

We have some common influences among the members. Those that resonate with us all are Free, Neil Young & Crazy Horse, Radiohead, The Verve and Black Rebel Motorcycle Club. Truthfully speaking, our tastes are far more broad then those stated, but what navigates what we want to achieve is the spirit that these artists encapsulate. None of them are particularly ‘showy’, it's all about the music: timeless and meaningful.

If you were planning a headline tour, who would you like to have as your supporting acts?

That's a really tough one, especially when you're trying to move up from the bottom rung of the ladder We'd love to say bands like Shame or IDLES, but let's not get above ourselves! Looking at bands we've played with who are maybe one or two steps up, then we'd love to put any of Ivory Wave, Valeras, Rascalton and our mates at Violet on the bill.

I've read that RKM is quite a formidable live act, so what advice would you give to a band that is just beginning to do gigs?

Invest in suitable gear, that doesn't mean expensive, just suitable. You need to be self-reliant when the occasion demands, and make sure you've got spares (guitar, strings, sticks etc.).

Turn up on time for sound check and don't let the sound guy ruin your night. Know what you want and how to get it without pissing off the engineer; they can be your best friend or your worst nightmare.

Have everything sorted with the promoter well in advance as you want to spend the time after the show talking with fans not remonstrating with the promoter about any misunderstandings.

So, 'I Fell In Love With A Feeling' has been released, but what else does 2019 hold for Rai Kah Mercury?

We have another single mixed and ready to release. It’s something that many wouldn’t expect, but hopefully, it’s our first marker of intent that we’re a band wanting to venture into multiple avenues while retaining a distinctive sound throughout the music.

We have countless tunes ready to record when we are able to get back in the studio; it's just a question of prioritising them. So, hopefully, there'll be a few more singles this year. At the moment we are taking that route rather than an EP.

There will be gigs of course, and we are looking to break out of our home base of the Birmingham scene, starting with a gig in Manchester on 27 April.

That's it! Thanks so much for chatting me with guys, and I wish you all the best for the rest of the year.

Thank you too, your support means a lot to us, and it's great having you along for the ride, let's see where we can take it!

To enjoy more of Rai Kah Mercury's music, check out their Facebook or Reverbnation.

*links: https://www.reverbnation.com/rpk/raikahmercury
https://www.facebook.com/raikahmercury/


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Written by Nicole Mendes / Germany - Norden

My name is Nicole and I am a South African-born music writer currently based in Norden, Germany. For several years I have worked with award-winning indie music blogs conducting reviews, reported on breaking festival news, but my specialism is interviewing.  I currently work as editor-in-chief for an indie music blog I founded where I specialise in interviews with independent artists.

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Published in Europe Section
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